{"id":26583,"date":"2026-03-06T08:17:52","date_gmt":"2026-03-06T08:17:52","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/litoral-%c2%b7-no-235-%c2%b7-2003"},"modified":"2026-03-19T11:19:56","modified_gmt":"2026-03-19T11:19:56","slug":"litoral-%c2%b7-no-235-%c2%b7-2003","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/litoral-%c2%b7-no-235-%c2%b7-2003\/","title":{"rendered":"Litoral \u00b7 n\u00ba 235 \u00b7 2003"},"content":{"rendered":"
Editorial<\/span>Lorenzo Saval<\/span><\/div>\n
La poes\u00eda del cine<\/span>Javier Herrera<\/span><\/div>\n
La magia de la imagen<\/span>Francisco J.Frutos y C.Garc\u00eda Camino<\/span><\/div>\n
El objetivo cineg\u00e9tico: la po\u00e9tica venatoria del s\u00e9ptimo arte<\/span>Guy H.Wood<\/span><\/div>\n
Los dominios del cine<\/span>Canudo<\/span><\/div>\n
Cine\u00c1n\u00e1lisis o poes\u00eda en cantidad industrial<\/span>Jean Epstein<\/span><\/div>\n
El cine y la realidad<\/span>Virginia Woolf<\/span><\/div>\n
El ABC del cine<\/span>Blaise Cendrars<\/span><\/div>\n
La elaboraci\u00f3n po\u00e9tica en el cine de F.W.Murnau<\/span>Luciano Berriat\u00faa<\/span><\/div>\n
Un arte que tiene nuestra edad<\/span>Guillermo de Torre<\/span><\/div>\n
Sobre lo metaf\u00f3rico<\/span>Serguei Eisenstein<\/span><\/div>\n
Jean Vigo<\/span>Peter Weiss<\/span><\/div>\n
La influencia del fotomontaje<\/span>Demetrio E.Brisset<\/span><\/div>\n
La estrella de mar<\/span>Man Ray<\/span><\/div>\n
\u00bfCine y poes\u00eda? Ecos sordos de luces tartamudas<\/span>Juan Maldonado<\/span><\/div>\n
Pr\u00f3logo a manera de balada (o viceversa)<\/span>Jos\u00e9 Luis Borau<\/span><\/div>\n
El simbolismo po\u00e9tico en el cine<\/span>Jos\u00e9 Tirado<\/span><\/div>\n
Cine puro y poes\u00eda<\/span>Ren\u00e9 Clair<\/span><\/div>\n
La poes\u00eda en el cine<\/span>Adriano del Valle<\/span><\/div>\n
Cine y surrealismo<\/span>Pere Gimferrer<\/span><\/div>\n
Fotos de cine<\/span>Picasso<\/span><\/div>\n
La vida de un poeta<\/span>Jean Cocteau<\/span><\/div>\n
El cine y el poeta<\/span>Le\u00f3n Felipe<\/span><\/div>\n
M\u00fasica, cine y poes\u00eda<\/span>Jos\u00e9 Nieto<\/span><\/div>\n
Palpitaciones cinelandesas<\/span>Ram\u00f3n Gomez de la Serna<\/span><\/div>\n
El cine po\u00e9tico como opci\u00f3n vanguardista en Espa\u00f1a<\/span>Jos\u00e9 Antonio P\u00e9rez Bowie<\/span><\/div>\n
Cita<\/span>Octavio Paz<\/span><\/div>\n
El cine, instrumento de poes\u00eda<\/span>Luis Bu\u00f1uel<\/span><\/div>\n
Dedicatorias "Al barroco Bu\u00f1uel"<\/span><\/div>\n
Misterios gozosos<\/span>Maite Conesa<\/span><\/div>\n
\u00bfPor qu\u00e9 restaurar "un chien andalou"?<\/span>Ferr\u00e1n Alberich<\/span><\/div>\n
Bu\u00f1uel y Bergam\u00edn<\/span>V\u00edctor Fuentes<\/span><\/div>\n
Carta in\u00e9dita de Bergam\u00edn a Bu\u00f1uel<\/span>Jos\u00e9 Bergam\u00edn<\/span><\/div>\n
Cine-fantasmas sexuales lorquianos<\/span>Rom\u00e1n Gubern<\/span><\/div>\n
Epstein y Lorca: poes\u00eda y cine<\/span>Mar\u00eda Teresa Garc\u00eda-Abad<\/span><\/div>\n
La pantalla cinematogr\u00e1fica como espejo en Cernuda, Lorca y Alberti<\/span>C.Brian Morris<\/span><\/div>\n
Carta abierta<\/span>Rafael Alberti<\/span><\/div>\n
Larrea-Bu\u00f1uel versus el ilegible, hijo de la flauta<\/span>Gabriele Morelli<\/span><\/div>\n
Manuel Altolaguirre: De Cartas a los muertos a El cantar de los cantares<\/span>Agust\u00edn S\u00e1nchez Vidal<\/span><\/div>\n
La subida al cielo<\/span>Andr\u00e9 Baz\u00edn<\/span><\/div>\n
Dal\u00ed: Las cartas de L\u00b4Age D\u00b4Or<\/span>Javier Herrera<\/span><\/div>\n
Im\u00e1genes del sue\u00f1o en libertad: pulsaciones po\u00e9ticas en el cine de Eugenio Granell<\/span>Alberte Pag\u00e1n<\/span><\/div>\n
La g\u00e9nesis de la poes\u00eda f\u00edlmica de Jos\u00e9 Val del Omar<\/span>Javier Herrera<\/span><\/div>\n
Algunas claves del Tr\u00edptico elemental de Espa\u00f1a de Jos\u00e9 Val del Omar<\/span>Gonzalo S\u00e1enz de Buruaga<\/span><\/div>\n
El cine y la literatura de vanguardia en Espa\u00f1a<\/span>Antonio Jim\u00e9nez Mill\u00e1n<\/span><\/div>\n
El nuevo arte del beso: Besos de cine (Popular films, 1934)<\/span><\/div>\n
Cinema Palace. Poema cinematogr\u00e1gico<\/span>Philippe Soupault<\/span><\/div>\n
Cinemat\u00f3grafo<\/span>Pedro Garfias<\/span><\/div>\n
Antes del cine<\/span>Guillaume Apollinaire<\/span><\/div>\n
Otono<\/span>Juan Larrea<\/span><\/div>\n
Poema en forma de hilo enredado<\/span>Max Jacob<\/span><\/div>\n
Cines<\/span>Luc\u00eda S\u00e1nchez Saornil<\/span><\/div>\n
Poema manifiesto<\/span>Vladimir Maiakovski<\/span><\/div>\n
Cinem\u00e1tica<\/span>Vicente Aleixandre<\/span><\/div>\n
Far West<\/span>Pedro Salinas<\/span><\/div>\n
Verano<\/span>Rafael Alberti<\/span><\/div>\n
Venus Cynelya<\/span>Antonio Espina<\/span><\/div>\n
Cinelandesco<\/span>Concha M\u00e9ndez<\/span><\/div>\n
Nocturno rom\u00e1ntico en el cinema<\/span>C\u00e9sar M.Arconada<\/span><\/div>\n
Poema cinem\u00e1tico<\/span>Jos\u00e9 Rivas Panedas<\/span><\/div>\n
Sombras blancas<\/span>Luis Cernuda<\/span><\/div>\n
Charles Chaplin Louis Aragon, Jos\u00e9 M\u00aaHinojosa, Sebasti\u00e1 S\u00e1nchez Juan, Rogelio Buend\u00eda, Gerardo Diego<\/span><\/div>\n
Harry Langdon<\/span>Vicente Huidobro<\/span><\/div>\n
Buster Keaton<\/span>Marcel Oms<\/span><\/div>\n
Lillian Gish<\/span>Jos\u00e9 Mar\u00eda Hinojosa<\/span><\/div>\n
Clara Bow<\/span>Tom\u00e1s Seral y Casas<\/span><\/div>\n
Josephine Baker<\/span>Francisco Ayala<\/span><\/div>\n
Greta Garbo<\/span>Jorge Guill\u00e9n, Emeterio Guti\u00e9rrez Albelo, Edgard Neville, Jos\u00e9 Mar\u00eda Luelmo<\/span><\/div>\n
Poes\u00eda y cine espa\u00f1ol. Introducci\u00f3n a una filmograf\u00eda de largometrajes de ficci\u00f3n<\/span>Ram\u00f3n Rubio Lucia<\/span><\/div>\n
La poes\u00eda en las filmograf\u00edas nacionales.<\/span>Javier Herrera<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

La poes\u00eda del cine: de los or\u00edgenes a los a\u00f1os 30<\/p>\n","protected":false},"featured_media":26584,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[73],"product_tag":[307],"class_list":{"0":"post-26583","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-litoral","7":"product_tag-litoral","9":"first","10":"instock","11":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/26583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=26583"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/26584"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=26583"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=26583"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=26583"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=26583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}