{"id":26581,"date":"2026-03-06T08:17:52","date_gmt":"2026-03-06T08:17:52","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/litoral-%c2%b7-no-236-%c2%b7-2003"},"modified":"2026-03-19T11:19:56","modified_gmt":"2026-03-19T11:19:56","slug":"litoral-%c2%b7-no-236-%c2%b7-2003","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/litoral-%c2%b7-no-236-%c2%b7-2003\/","title":{"rendered":"Litoral \u00b7 n\u00ba 236 \u00b7 2003"},"content":{"rendered":"
Editorial<\/span>Lorenzo Saval<\/span><\/div>\n
Max Oph\u00fcls. El misterio de la fugacidad<\/span>Carlos Reviriego<\/span><\/div>\n
Francois Truffaut<\/span>Carlos Barbachano<\/span><\/div>\n
El cine de la escritura o Margaritte Dur\u00e1s<\/span>Mar\u00eda Navarro<\/span><\/div>\n
Po\u00e9ticas\/poes\u00eda\/poetas en el cine italiano. Sistema peri\u00f3dico y elementos reactivos<\/span>Ra\u00fal Grisol\u00eda<\/span><\/div>\n
Adagietto para el \u00e1ngel de la muerte. Visconti como en flash-back<\/span>Manuel Logro\u00f1o<\/span><\/div>\n
Fellini irresistible. Notas autobiogr\u00e1ficas<\/span><\/div>\n
Fellini a Bu\u00f1uel (dos cartas in\u00e9ditas)<\/span><\/div>\n
Cine de poes\u00eda. Pier Paolo Pasolini<\/span><\/div>\n
Jard\u00edn de Quimeras. El diario po\u00e9tico de Yasujiro Ozu<\/span>Antonio Santos<\/span><\/div>\n
El silencio. Ingmar Bergmann<\/span><\/div>\n
Poes\u00eda y po\u00e9ticas en el cine moderno<\/span>Javier Herrera<\/span><\/div>\n
La fuerza eyaculatoria del ojo. Robert Bresson<\/span><\/div>\n
Satyajit Ray<\/span><\/div>\n
La l\u00f3gica de lo po\u00e9tico. Andrei Tarkovsky<\/span><\/div>\n
Poema cinematogr\u00e1fico<\/span>Manoel de Oliveira<\/span><\/div>\n
El Universo po\u00e9tico de Abbas Kiarostami<\/span>Alberto Elena<\/span><\/div>\n
Theo Angel\u00f3poulos. La mirada de Ulises. De Seferis a Eliot<\/span>Pere Alber\u00f3<\/span><\/div>\n
Stanley Kubrick. El cine como iluminaci\u00f3n<\/span><\/div>\n
Los aficionados (Tierra de nadie). Sinopsis<\/span>Berlanga y Azcona<\/span><\/div>\n
Tierra de nadie, Los aficionados y La vaquilla: El largo periplo de Berlanga tras la reconciliaci\u00f3n<\/span>Juan Cobos<\/span><\/div>\n
El sur: La imagen de la letra<\/span>Miguel \u00c1ngel Fern\u00e1ndez<\/span><\/div>\n
A la industria del cine en crisis<\/span>Frank O\u00b4Hara<\/span><\/div>\n
La po\u00e9tica de un espejo insobornable<\/span>Pedro Almod\u00f3var<\/span><\/div>\n
Todo sobre mi madre<\/span>Marvin de Lugo<\/span><\/div>\n
La po\u00e9tica de Julio Medem<\/span>Pablo Cepero<\/span><\/div>\n
Julio Medem, la poes\u00eda del norte<\/span>Wolf Mart\u00edn Hanmdorf y Clara L\u00f3pez Rubio<\/span><\/div>\n
Los caminos h\u00edbridos de la poes\u00eda y el cine latinoamericano<\/span>Marcela Reestom<\/span><\/div>\n
Es tan f\u00e1cil que hasta los hombres pueden. Sinopsis (fragmento)<\/span>Gabriel Garc\u00eda M\u00e1rquez<\/span><\/div>\n
Carta in\u00e9dita a Luis Bu\u00f1uel<\/span>Julio Cort\u00e1zar<\/span><\/div>\n
Po\u00e9tica del cine<\/span>Raoul Ruiz<\/span><\/div>\n
Pablo Neruda y el cine<\/span>Rosa M\u00e9ndez Fonte<\/span><\/div>\n
El documental y la poes\u00eda<\/span>Michael Rabiger<\/span><\/div>\n
Poemas filmados\/firmados. Antolog\u00eda po\u00e9tica VVAA<\/span><\/div>\n
Donde los burros podridos son las rosas del desierto: una aproximaci\u00f3n a la terrible poes\u00eda de Las Hurdes<\/span>Javier Herrera<\/span><\/div>\n
El coleccionista y el explorador: A prop\u00f3sito de Inmemory (Chris Marker, 1997)<\/span>Marcos Zunzunegui<\/span><\/div>\n
El documental como conocimiento po\u00e9tico<\/span>Eduardo Coutinho<\/span><\/div>\n
A la luz de Cravan: Los ecos del mito irrepetible<\/span>Isaki Lacuesta<\/span><\/div>\n
Cr\u00f3nica de una desaparici\u00f3n<\/span>Luis Ormaechea<\/span><\/div>\n
A pantalla desnuda. Cien a\u00f1os en pos de la piel<\/span>Juan Maldonado<\/span><\/div>\n
Cine arte gr\u00e1fico. Los carteles de cine<\/span>Roberto S\u00e1nchez L\u00f3pez<\/span><\/div>\n
La poes\u00eda de los grandes directores y la generaci\u00f3n perdida. Las d\u00e9cadas de los a\u00f1os 40 y 50<\/span>David Felipe Arranz<\/span><\/div>\n
Persistencia de la memoria. Reescribiendo una po\u00e9tica (Douglas Sirk 1955\/Todd Haynes 2002)<\/span>Juan Miguel Company<\/span><\/div>\n
Hitchcock y Wordsworth: Frenes\u00ed (1972) y El preludio (1804)<\/span>Peter William Evans<\/span><\/div>\n
El muelle de las brumas y El realismo po\u00e9tico franc\u00e9s<\/span>Jos\u00e9 Luis Mart\u00ednez Montalb\u00e1n<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

La poes\u00eda en el cine: Los poetas del cine<\/p>\n","protected":false},"featured_media":26582,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[73],"product_tag":[307],"class_list":{"0":"post-26581","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-litoral","7":"product_tag-litoral","9":"first","10":"instock","11":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/26581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=26581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/26582"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=26581"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=26581"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=26581"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=26581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}