{"id":23571,"date":"2020-11-13T12:15:41","date_gmt":"2020-11-13T12:15:41","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/luzes-%c2%b7-no-85-%c2%b7-2020"},"modified":"2026-03-19T11:31:43","modified_gmt":"2026-03-19T11:31:43","slug":"luzes-%c2%b7-no-85-%c2%b7-2020","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/luzes-%c2%b7-no-85-%c2%b7-2020\/","title":{"rendered":"Luzes \u00b7 n\u00ba 85 \u00b7 2020"},"content":{"rendered":"
E casas sen xente<\/span>Valeria Pereiras<\/span><\/div>\n
Elena Ferro<\/span>Elena Ferro<\/span><\/div>\n
A mostra (S8) e a covid: experimentos no cinema experimental<\/span>Javier Trigales<\/span><\/div>\n
Piti S4N7<\/span>Alfonso Espi\u00f1o<\/span><\/div>\n
Cartograf\u00eda do esquecemento<\/span>Ariadna Silva Fern\u00e1ndez<\/span><\/div>\n
Festivala: mulleres creando. A resposta \u00e1 industria musical machista<\/span>Alba Tom\u00e9 Sueiro<\/span><\/div>\n
A parte queimada<\/span>Manuel Veiga Taboada<\/span><\/div>\n
Un ch\u00edo no aire<\/span>Antonio Sandoval<\/span><\/div>\n
As libreiras [Descubertas de outubro]<\/span>Luzes<\/span><\/div>\n
Ao volante da nave<\/span>Xabar\u00edn Mar\u00eda Y\u00e1\u00f1ez<\/span><\/div>\n
O caos dev\u00e9n en inferno<\/span>Ana Lu\u00edsa Bouza Santiago<\/span><\/div>\n
Galiza, a mi\u00f1a nova terra\u2026 \u00c1mote !<\/span>Marie Florence Qu\u00e9not<\/span><\/div>\n
Albino Prada: \u00abOs valores do hipercapitalismo t\u00e9\u00f1eno penetrado todo como nunca antes\u00bb<\/span>Erik Doba\u00f1o<\/span><\/div>\n
O sabor da paisaxe<\/span>Luca Chao<\/span><\/div>\n
Obradoiro, 50 anos sen se render<\/span>Lu\u00eds Pardo<\/span><\/div>\n
Luz en Mondo\u00f1edo<\/span>Xurxo Mart\u00ednez Gonz\u00e1lez<\/span><\/div>\n
Monarqu\u00eda 35%, rep\u00fablica 41%<\/span>Carolina Bescansa<\/span><\/div>\n
Non imos sendo pa\u00eds para mon\u00e1rquicos<\/span>Ant\u00f3n Losada<\/span><\/div>\n
Menos v\u00eddeos e m\u00e1is enquisas (sobre a monarqu\u00eda)<\/span>V\u00edctor Sampedro<\/span><\/div>\n
A cat\u00e1strofe das residencias galegas<\/span>Xo\u00e1n Ant\u00f3n P\u00e9rez-Lema<\/span><\/div>\n
A vivenda como dilema<\/span>Teresa T\u00e1boas<\/span><\/div>\n
A casa que non habito c\u00e1eme enriba<\/span>Silvia L\u00f3pez<\/span><\/div>\n
A 600 metros da explosi\u00f3n<\/span>Adriana Viz<\/span><\/div>\n
E=Mc2<\/span>Xos\u00e9 Manuel Pereiro<\/span><\/div>\n
Viva o para\u00edso\u2026 fiscal!<\/span>Manuel Rivas<\/span><\/div>\n
Fervor pola canastra<\/span>Luzes<\/span><\/div>\n
A ocupaci\u00f3n, a alarma social e o negocio do medo<\/span>Luzes<\/span><\/div>\n
As guerras sucias da \u00abtoupa\u00bb<\/span>Anibal Malvar<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

E casas sen xenteValeria Pereiras Elena FerroElena Ferro A mostra (S8) e a covid: experimentos no cinema experimentalJavier Trigales Piti S4N7Alfonso Espi\u00f1o Cartograf\u00eda do esquecementoAriadna Silva Fern\u00e1ndez Festivala: mulleres creando. A resposta \u00e1 industria musical machistaAlba Tom\u00e9 Sueiro A parte queimadaManuel Veiga Taboada Un ch\u00edo no aireAntonio Sandoval As libreiras [Descubertas de outubro]Luzes Ao volante […]<\/p>\n","protected":false},"featured_media":23572,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[60],"product_tag":[264],"class_list":{"0":"post-23571","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-luzes","7":"product_tag-luzes","9":"first","10":"instock","11":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/23571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=23571"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/23572"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=23571"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=23571"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=23571"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=23571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}