{"id":23218,"date":"2026-03-06T08:07:18","date_gmt":"2026-03-06T08:07:18","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/letras-libres-%c2%b7-no-142-%c2%b7-julio-%c2%b7-2013"},"modified":"2026-03-19T11:22:12","modified_gmt":"2026-03-19T11:22:12","slug":"letras-libres-%c2%b7-no-142-%c2%b7-julio-%c2%b7-2013","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/letras-libres-%c2%b7-no-142-%c2%b7-julio-%c2%b7-2013\/","title":{"rendered":"Letras Libres \u00b7 n\u00ba 142 \u00b7 Julio \u00b7 2013"},"content":{"rendered":"
COLABORADORES<\/span><\/div>\n
CONVIVO<\/span><\/div>\n
El amour fou de Pamuk<\/span>Jos\u00e9 Miguel Oviedo<\/span><\/div>\n
Artaud, el buen salvaje y la revoluci\u00f3n<\/span>Carlos Gran\u00e9s<\/span><\/div>\n
Progreso milenario<\/span>Gabriel Zaid<\/span><\/div>\n
POES\u00cdA<\/span><\/div>\n
Clavados<\/span>Antonio Jos\u00e9 Ponte<\/span><\/div>\n
Lumbre<\/span>Guadalupe Galv\u00e1n<\/span><\/div>\n
Dos poemas (versiones de Miguel \u00c1ngel Petrecca)<\/span>Xiao Kaiyu<\/span><\/div>\n
DOSSIER. Frontera Centroam\u00e9rica<\/span><\/div>\n
Los migrantes que no importan<\/span>Francisco Goldman<\/span><\/div>\n
Hartos a trav\u00e9s de M\u00e9xico<\/span>\u00d3scar Mart\u00ednez<\/span><\/div>\n
Los albergues de la esperanza<\/span>Alberto N\u00e1jar<\/span><\/div>\n
Cacer\u00eda (fragmento novela)<\/span>Antonio Ortu\u00f1o<\/span><\/div>\n
Junot D\u00edaz (entrevista)<\/span>Marcel Ventura<\/span><\/div>\n
LIBROS<\/span><\/div>\n
"Un tiempo de rupturas. Sociedad y cultura en el siglo XX" de Eric Hobsbawm<\/span>Ram\u00f3n Gonz\u00e1lez F\u00e9rriz<\/span><\/div>\n
"Ciudades a la derriva" de Strat\u00eds Tsircas y "La desgracia de ser griego" de Nikos Dimou<\/span>Manuel Arias Maldonado<\/span><\/div>\n
"Poes\u00eda completa" de Anne Sexton<\/span>Eduardo Moga<\/span><\/div>\n
"La experiencia dram\u00e1tica" de Sergio Chejfec<\/span>Patricio Pron<\/span><\/div>\n
"Antes del nombre" de Eloy S\u00e1nchez Rosillo<\/span>Juan Marqu\u00e9s<\/span><\/div>\n
"Novelas y novelistas. El canon de la novela" de Harold Bloom<\/span>Jorge T\u00e9llez<\/span><\/div>\n
"A los rusos les gustan los abedules" de Olga Grjasnowa<\/span>Aloma Rodr\u00edguez<\/span><\/div>\n
"Historia del dinero" de Alan Pauls<\/span>Enrique Macari<\/span><\/div>\n
ARTES Y MEDIOS<\/span><\/div>\n
Cine: La escuela coreana<\/span>Vicente Molina Foix<\/span><\/div>\n
M\u00fasica: Georges Moustaki (1934-2013)<\/span>Andrea Mart\u00ednez Baracs<\/span><\/div>\n
Artes Pl\u00e1sticas: Bienal de Venecia 2013<\/span>Mar\u00eda Virginia Jaua<\/span><\/div>\n
LETRILLAS<\/span><\/div>\n
Perfil: Lydia Davis, una escritora con alas<\/span>M\u00aa \u00c1ngeles Cabr\u00e9<\/span><\/div>\n
Microficciones: Cuatro cuentos breves<\/span>Lydia Davis<\/span><\/div>\n
Espa\u00f1a: los nombres de las cosas<\/span>Daniel Gasc\u00f3n<\/span><\/div>\n
Literatura: Luis Landero<\/span>Antonio Fraguas<\/span><\/div>\n
Periodismo: partirse la cara<\/span>Malcolm Otero Barral<\/span><\/div>\n
C\u00f3mic: Superman, h\u00e9roe social<\/span>Eduardo Huch\u00edn Sosa<\/span><\/div>\n
COLUMNAS<\/span><\/div>\n
Diario Infinitesimal: Anillos<\/span>Hugo Hiriart<\/span><\/div>\n
Aerolitos: Devaluaci\u00f3n de la palabra<\/span>Enrique Serna<\/span><\/div>\n
Saltapatr\u00e1s: Tesoros dilapidados<\/span>Guillermo Sheridan<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Frontera Centroam\u00e9rica<\/p>\n","protected":false},"featured_media":23219,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[59],"product_tag":[263],"class_list":{"0":"post-23218","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-letras-libres","7":"product_tag-letras-libres","8":"pa_temporada-julio","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/23218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=23218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/23219"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=23218"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=23218"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=23218"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=23218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}