{"id":22646,"date":"2024-06-04T10:06:22","date_gmt":"2024-06-04T10:06:22","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/grial-%c2%b7-no-241-%c2%b7-2024"},"modified":"2026-03-19T11:29:52","modified_gmt":"2026-03-19T11:29:52","slug":"grial-%c2%b7-no-241-%c2%b7-2024","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/grial-%c2%b7-no-241-%c2%b7-2024\/","title":{"rendered":"Grial \u00b7 n\u00ba 241 \u00b7 2024"},"content":{"rendered":"
Lu\u00edsa Villalta. A poeta da Cidade Alta<\/span><\/div>\n
Os ollos limpos da sibila<\/span>Xes\u00fas Dom\u00ednguez Dono<\/span><\/div>\n
Rota ao interior de Lu\u00edsa Villalta<\/span>Armando Requeixo<\/span><\/div>\n
Un percorrido c\u00edclico pola poes\u00eda vital de Lu\u00edsa Villalta (1985-2004)<\/span>Tamara Andr\u00e9s<\/span><\/div>\n
Lu\u00edsa Villalta, tam\u00e9n narradora<\/span>Inma Otero Varela<\/span><\/div>\n
O teatro en Lu\u00edsa Villalta: unha paix\u00f3n desvelada<\/span>Alexandrina Fern\u00e1ndez Otero<\/span><\/div>\n
O canto das mus(ic)as<\/span>Manuel Naveira Fuentes<\/span><\/div>\n
Do pensamento musical e po\u00e9tico em Lu\u00edsa Villalta<\/span>C\u00e9sar Mor\u00e1n<\/span><\/div>\n
Temas do noso tempo<\/span><\/div>\n
Israel non \u00e9 unha democracia<\/span>Manuel A. Fortes Torres<\/span><\/div>\n
Ciencia e t\u00e9nica<\/span><\/div>\n
ParanoIA<\/span>Sen\u00e9n Barro \/ Alberto Bugar\u00edn Diz<\/span><\/div>\n
Historia e memoria<\/span><\/div>\n
Regoela das xentes libres. Intrahistoria dunha das fregues\u00edas dos fuxidos<\/span>Xabier Brisset Mart\u00edn<\/span><\/div>\n
Documentos<\/span><\/div>\n
Manuel Rodr\u00edgues Lapa na inauguraci\u00f3n da Penzol. Un texto in\u00e9dito (1963)<\/span>Henrique Monteagudo<\/span><\/div>\n
Creaci\u00f3n<\/span><\/div>\n
Ubasute<\/span>Paula Carballeira<\/span><\/div>\n
Dakota<\/span>Masha \u00c1lvarez<\/span><\/div>\n
O espello das letras<\/span><\/div>\n
Un ano despois do centenario da morte de Murgu\u00eda. Notas ao p\u00e9 do Rexurdimento<\/span>Xurxo Mart\u00ednez Gonz\u00e1lez<\/span><\/div>\n
Feminismo e animalismo en Enrique Labarta Pose<\/span>Xos\u00e9 Mar\u00eda Rei Lema<\/span><\/div>\n
A esmorga, traducida para Portugal<\/span>Xos\u00e9 Manuel Dasilva<\/span><\/div>\n
Cr\u00f3nica<\/span><\/div>\n
Carta do Xap\u00f3n. Respecto polo pasado, aposta polo futuro<\/span>Xes\u00fas Abalo<\/span><\/div>\n
Feminismos<\/span><\/div>\n
A violencia contra as mulleres negras e empobrecidas na literatura contempor\u00e1nea afrobrasileira<\/span>Andreia L\u00edvia de Jesus Le\u00e3o<\/span><\/div>\n
Debates<\/span><\/div>\n
Tautotelevisi\u00f3n, o modelo que define o monopolio da televisi\u00f3n p\u00fablica galega. Entre a censura e a hiperrealidade<\/span>Manuel Barreiro Rozados<\/span><\/div>\n
M\u00fasica<\/span><\/div>\n
Muller e tradici\u00f3n. De Leil\u00eda a Tanxugueiras<\/span>Fernando Fern\u00e1ndez Rego<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Lu\u00edsa Villalta. A poeta da Cidade Alta Os ollos limpos da sibilaXes\u00fas Dom\u00ednguez Dono Rota ao interior de Lu\u00edsa VillaltaArmando Requeixo Un percorrido c\u00edclico pola poes\u00eda vital de Lu\u00edsa Villalta (1985-2004)Tamara Andr\u00e9s Lu\u00edsa Villalta, tam\u00e9n narradoraInma Otero Varela O teatro en Lu\u00edsa Villalta: unha paix\u00f3n desveladaAlexandrina Fern\u00e1ndez Otero O canto das mus(ic)asManuel Naveira Fuentes Do […]<\/p>\n","protected":false},"featured_media":22647,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[57],"product_tag":[252],"class_list":{"0":"post-22646","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-grial","7":"product_tag-grial","9":"first","10":"instock","11":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22647"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22646"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22646"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22646"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}