{"id":22275,"date":"2026-03-06T08:04:15","date_gmt":"2026-03-06T08:04:15","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-66-15-%c2%b7-abril-%c2%b7-2013"},"modified":"2026-03-19T11:23:09","modified_gmt":"2026-03-19T11:23:09","slug":"caiman-cuadernos-de-cine-%c2%b7-no-66-15-%c2%b7-abril-%c2%b7-2013","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-66-15-%c2%b7-abril-%c2%b7-2013\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 66-15 \u00b7 Abril \u00b7 2013"},"content":{"rendered":"
EDITORIAL<\/span><\/div>\n
La mirada cr\u00edtica<\/span>Carlos F. Heredero<\/span><\/div>\n
GRAN ANGULAR<\/span><\/div>\n
TO THE WONDER<\/span><\/div>\n
Una sinfon\u00eda de c\u00e1mara<\/span>Jaime Pena<\/span><\/div>\n
Hacia la sublimaci\u00f3n<\/span>Alejandro D\u00edaz Casta\u00f1o<\/span><\/div>\n
La parodia del amor<\/span>Sergi S\u00e1nchez<\/span><\/div>\n
Gloria mundi<\/span>Olaf M\u00f6ller<\/span><\/div>\n
Hasta que la muerte nos separe<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Cristo todopoderoso, \u00a1no mas fe!<\/span>Mark Peranson<\/span><\/div>\n
LOULE<\/span><\/div>\n
El gran fabulador<\/span>Jaime Pena<\/span><\/div>\n
Vas a llorar, Louie, vas a morir<\/span>Carlos Reviriego<\/span><\/div>\n
El pintor de la vida diaria<\/span>Carlos Losilla<\/span><\/div>\n
EN MOVIMIENTO<\/span><\/div>\n
El triunfo de la publicidad sobre el discurso<\/span>Jonathan Rosenbaum<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
B\u00e1rbara (Christian Petzold)<\/span>Javier H. Estrada<\/span><\/div>\n
Entrevista Christian Petzold<\/span>Javier H. Estrada<\/span><\/div>\n
Tierra prometida (Gus van Sant)<\/span>Carlos Losilla<\/span><\/div>\n
Boss (Gus Van sant)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Nana (Val\u00e9rie Massadian)<\/span>Carlos Reviriego<\/span><\/div>\n
Entrevista Val\u00e9rie Massadian<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Los ilusos (Jon\u00e1s Trueba)<\/span>Carlos Losilla<\/span><\/div>\n
Entrevista Jon\u00e1s Trueba<\/span>Juanma Ruiz \/ Carlos F. Heredero<\/span><\/div>\n
De jueves a domingo (Dominga Sotomayor)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Entrevista Dominga Sotomayor<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Alacr\u00e1n enamorado (Santiago Zannou)<\/span>Fernando Bernal<\/span><\/div>\n
Ayer no termina nunca (Isabel Coixet)<\/span>Violeta Kovacsics<\/span><\/div>\n
La caza (Thomas Vinterberg)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
El ejercicio del poder (Pierre Schoeller)<\/span>Lourdes Monterrubio<\/span><\/div>\n
The Trip (Michael Winterbottom)<\/span>Fernando Bernal<\/span><\/div>\n
La venta del para\u00edso (Emilio Ruiz Barrachina)<\/span>Paula Bordonada<\/span><\/div>\n
La cocinera del presidente (Christian Vincent)<\/span>Elena Duque<\/span><\/div>\n
Efectos secundarios (Steven Soderbergh)<\/span>Violeta Kovacsics<\/span><\/div>\n
Memorias de un zombie adolescente (Jonathan Levine)<\/span>Laura Maza<\/span><\/div>\n
El payaso (Selton Mello)<\/span>Fernando Bernal<\/span><\/div>\n
Populaire (R\u00e9gis Roinsard)<\/span>Lourdes Monterrubio<\/span><\/div>\n
Tesis sobre un homicidio (Hern\u00e1n Goldfrid)<\/span>Fernando Bernal<\/span><\/div>\n
OTROS ESTRENOS<\/span><\/div>\n
Cab\u00e1s (Pablo Hernando)<\/span>Jordi Costa<\/span><\/div>\n
La casa Emak Bakia (Oskar Alegr\u00eda)<\/span>Carlos Losilla<\/span><\/div>\n
RESONANCIAS<\/span><\/div>\n
Contrastes del Oeste<\/span>Javier H. Estrada<\/span><\/div>\n
CUADERNO DE ACTUALIDAD<\/span><\/div>\n
COLOQUIOS<\/span><\/div>\n
Eduardo Coutinho \/ Sergio Oksman<\/span>Lola Mayo<\/span><\/div>\n
Abbas Kiarostami \/ V\u00edctor Erice \/ Jaime Rosales<\/span>Javier H. Estrada<\/span><\/div>\n
FESTIVALES<\/span><\/div>\n
Punto de vista (Pamplona)<\/span>Laura Maza<\/span><\/div>\n
IBAFF (Murcia)<\/span>Clara M. Malagelada<\/span><\/div>\n
M\u00e1rgenes (on line)<\/span>Laura Maza<\/span><\/div>\n
Animac (Lleida)<\/span>Daniel Pitarch<\/span><\/div>\n
Labo Tabakalera (Donostia)<\/span>Koldo Almandoz<\/span><\/div>\n
RODAJE<\/span><\/div>\n
La herida, de Fernando Franco<\/span>Gonzalo de Pedro Amatria<\/span><\/div>\n
OPERA<\/span><\/div>\n
Cos\u00ec fan tutte, de Michael Haneke<\/span>Roberto Cueto<\/span><\/div>\n
LO MEJOR DE LOS G\u00c9NEROS<\/span><\/div>\n
Dr\u00e1cula, de Tod Browning.<\/span>Roberto Cueto<\/span><\/div>\n
BREVES<\/span><\/div>\n
Noticias, rodajes y desapariciones Aleksei Guerman<\/span>Josep Torrell<\/span><\/div>\n
MEDIATECA<\/span><\/div>\n
DVD<\/span><\/div>\n
En el balc\u00f3n vac\u00edo (Jomi Garc\u00eda Ascot)<\/span>Luis E. Par\u00e9s<\/span><\/div>\n
Aleluya (King Vidor)<\/span>Carlos F. Heredero<\/span><\/div>\n
Cumbres borrascosas (Andrea Arnold)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Rojo oscuro (Dario Argento).<\/span>Juanma Ruiz<\/span><\/div>\n
Blancanieves (Pablo Berger) (Blu-ray)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Fanny y Alexander (Ingmar Bergman)<\/span>Alicia Albaladejo<\/span><\/div>\n
Frankenweenie (Tim Burton) (Blu-ray)<\/span>Juanma Ruiz<\/span><\/div>\n
Underground (Emir Kusturica)<\/span>Alicia Albaladejo<\/span><\/div>\n
Spider Baby (Jack Hill)<\/span>Laura Maza<\/span><\/div>\n
LIBROS<\/span><\/div>\n
Composiciones de lugar (VV.AA) \/ Lo viejo y lo nuevo (Santos Zunzunegui)<\/span>Luis E. Par\u00e9s<\/span><\/div>\n
Teatro capturado por la c\u00e1mara (Juan de Mata Moncho Aguirre)<\/span>Antonio Santamarina<\/span><\/div>\n
La noche se mueve. La adaptaci\u00f3n en el cine del tardofranquismo (Jos\u00e9 A. P\u00e9rez Bowie)<\/span>Antonio Santamarina<\/span><\/div>\n
El teatro en el cine (Anxo Abu\u00edn Gonz\u00e1lez)<\/span>Antonio Santamarina<\/span><\/div>\n
Antonio Chavarr\u00edas (Elisabet Cabeza)<\/span>Antonio Santamarina<\/span><\/div>\n
Amistad. El \u00faltimo toque Lubitsch (Samsom Raphaelson)<\/span>Carlos F. Heredero<\/span><\/div>\n
Figuring the Past. Period Film and the Mannierist Aesthetic\/ Heritage Film: Nation, Genre and Representation (Bel\u00e9n Vidal)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Dumala (Piotr Dumala)<\/span>Mariano Salvador<\/span><\/div>\n
Ponte en lo peor. Woody Allen en tiras c\u00f3micas (Stuart Hample)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
LO NUEVO Y LO VIEJO<\/span><\/div>\n
Devenir, cambio, pasaje<\/span>Santos Zunzunegui<\/span><\/div>\n
ITINERARIOS<\/span><\/div>\n
Albert Maysles. Entrevista<\/span>Iago Mart\u00ednez \/ Jos\u00e9 Manuel Sande<\/span><\/div>\n
AGENDA<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n
SUPLEMENTO ADICIONAL: \u2018MULTIVERSIONES\u2019. 69 CONGRESO DE LA FIAF (BARCELONA) \/ FILMOTECA DE CATALUNYA<\/span><\/div>\n
EDITORIAL<\/span><\/div>\n
Reescrituras<\/span>Carlos F. Heredero<\/span><\/div>\n
TEXTOS<\/span><\/div>\n
Bajo la punta del iceberg<\/span>Esteve Riambau<\/span><\/div>\n
Copia certificada<\/span>Santos Zunzunegui<\/span><\/div>\n
La diversidad de la multiversi\u00f3n<\/span>Jos\u00e9 Enrique Monterde<\/span><\/div>\n
\u00bfVersiones m\u00faltiples o \u00fanicas…?<\/span>Caroline Fournier<\/span><\/div>\n
Hollywood habla espa\u00f1ol<\/span>Aguilar y Cabrerizo<\/span><\/div>\n
La m\u00e1quina (infernal) de multiplicar<\/span>Daniel S\u00e1nchez Salas<\/span><\/div>\n
\u00bfAutor\u00eda… o mercantilizaci\u00f3n?<\/span>Jonathan Rosenbaum<\/span><\/div>\n
Con los mismos mimbres<\/span>Antonio Weinrichter<\/span><\/div>\n
Un film que solo existe en la mente del espectador<\/span>Cristina \u00c1lvarez L\u00f3pez<\/span><\/div>\n
Archivando versiones.<\/span>Alfonso del Amo Garc\u00eda<\/span><\/div>\n
PEL\u00cdCULAS<\/span><\/div>\n
Le Chevalier myst\u00e8re (Georges M\u00e9li\u00e8s)<\/span>Joxean Fern\u00e1ndez<\/span><\/div>\n
Raza \/ Esp\u00edritu de una raza (Jos\u00e9 Luis S\u00e1enz de Heredia)<\/span>Carlos F. Heredero<\/span><\/div>\n
Mahoma, el mensajero de Dios (Moustapha Akkad)<\/span>Jean-Michel Frodon<\/span><\/div>\n
Dr\u00e1cula (Tod Browning \/ George Melford)<\/span>Roberto Cueto<\/span><\/div>\n
El inquilino (Jos\u00e9 Antonio Nieves Conde)<\/span>Jos\u00e9 Luis Castro de Paz<\/span><\/div>\n
Blade Runner (Ridley Scott)<\/span>Jos\u00e9 Antonio Hurtado<\/span><\/div>\n
Blackmail (Alfred Hitchcock)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
East of Borneo \/ Rose Hobart (George Melford \/ Joseph Cornell)<\/span>Antonio Weinrichter<\/span><\/div>\n
Ashes of Time \/ Ashes of Time Redux (Wong Kar-wai)<\/span>Carlos F. Heredero<\/span><\/div>\n
Muchachas de Bagdad \/ Babes in Bagdad (Jer\u00f3nimo Mihura \/ Edgar G. Ulmer)<\/span>Santiago Aguilar<\/span><\/div>\n
Carmen la de Triana \/ Andalusische N\u00e4chte (Flori\u00e1n Rey \/ Herbert Maisch)<\/span>Marta Mu\u00f1oz Auni\u00f3n<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL La mirada cr\u00edticaCarlos F. Heredero GRAN ANGULAR TO THE WONDER Una sinfon\u00eda de c\u00e1maraJaime Pena Hacia la sublimaci\u00f3nAlejandro D\u00edaz Casta\u00f1o La parodia del amorSergi S\u00e1nchez Gloria mundiOlaf M\u00f6ller Hasta que la muerte nos separe\u00c0ngel Quintana Cristo todopoderoso, \u00a1no mas fe!Mark Peranson LOULE El gran fabuladorJaime Pena Vas a llorar, Louie, vas a morirCarlos Reviriego […]<\/p>\n","protected":false},"featured_media":22276,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22275","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-abril","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22276"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22275"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22275"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22275"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}