{"id":22257,"date":"2026-03-06T08:04:15","date_gmt":"2026-03-06T08:04:15","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-75-24-%c2%b7-febrero-%c2%b7-2014"},"modified":"2026-03-19T11:23:13","modified_gmt":"2026-03-19T11:23:13","slug":"caiman-cuadernos-de-cine-%c2%b7-no-75-24-%c2%b7-febrero-%c2%b7-2014","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-75-24-%c2%b7-febrero-%c2%b7-2014\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 75-24 \u00b7 Febrero \u00b7 2014"},"content":{"rendered":"
EDITORIAL<\/span><\/div>\n
La revoluci\u00f3n triunfante<\/span>Carlos F. Heredero<\/span><\/div>\n
GRAN ANGULAR<\/span><\/div>\n
Sexo \/ Cine<\/span><\/div>\n
Sexo en la pantalla. Anatom\u00eda de una relaci\u00f3n<\/span>Jean-Michel Frodon<\/span><\/div>\n
Olv\u00eddate del erotismo<\/span>Cristina \u00c1lvarez L\u00f3pez<\/span><\/div>\n
Asalto a la sala de montaje<\/span>Beatriz Preciado<\/span><\/div>\n
Los l\u00edmites del deseo, el deseo sin l\u00edmites<\/span>Carlos Losilla<\/span><\/div>\n
El sexo que llora<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Nymphomaniac. Volumen 2 (Cr\u00edtica)<\/span>Jean-Michel Frodon<\/span><\/div>\n
Sexo en serie(s)<\/span>Carlos Reviriego<\/span><\/div>\n
Investigaci\u00f3n y filmaci\u00f3n del sexo<\/span>Jos\u00e9 Enrique Monterde<\/span><\/div>\n
SCANNER<\/span><\/div>\n
\u00bfEst\u00e1is iluminados?<\/span>Adrian Martin<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
Nebraska (Alexander Payne)<\/span>Carlos F. Heredero<\/span><\/div>\n
El sentido de lo no transmisible<\/span>Violet Lucca<\/span><\/div>\n
La gran estafa americana (David O. Russell)<\/span>Carlos Losilla<\/span><\/div>\n
Una pel\u00edcula musical<\/span>Jaime Pena<\/span><\/div>\n
Cuando todo est\u00e1 perdido (J. C. Chandor)<\/span>Jaime Pena<\/span><\/div>\n
Alabama Monroe (Felix Van Groeningen)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Entrevista Felix Van Groeningen<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
La Venus de las pieles (Roman Polanski)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Ignasi M. (Ventura Pons)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Obra 67 (David Sainz)<\/span>Fernando Bernal<\/span><\/div>\n
Philomena (Stephen Frears)<\/span>Alejandro D\u00edaz Casta\u00f1o<\/span><\/div>\n
Pussy Riot: una plegaria punk (Mike Lerner y Maxim Pozdorovkin)<\/span>Enric Albero<\/span><\/div>\n
\u00bfQu\u00e9 nos queda? (Hans-Christian Schmid)<\/span>Daniel Schvartzman<\/span><\/div>\n
La segunda mujer (Umut Dag)<\/span>Jonay Armas<\/span><\/div>\n
Two Years at Sea (Ben Rivers)<\/span>Gonzalo de Pedro<\/span><\/div>\n
20 a\u00f1os no importan (David Moreau)<\/span>Nacho A. Villar<\/span><\/div>\n
Al encuentro de Mr. Banks (John Lee Hancock)<\/span>Jessica Ni\u00f1erola<\/span><\/div>\n
La gran revancha (Peter Segal)<\/span>Ricardo Gonz\u00e1lez<\/span><\/div>\n
Jack Ryan: operaci\u00f3n sombra (Kenneth Branagh)<\/span>Ricardo Gonz\u00e1lez<\/span><\/div>\n
Todo el santo d\u00eda (Paolo Virz\u00ec)<\/span>Sof\u00eda P\u00e9rez Delgado<\/span><\/div>\n
Xingu (Cao Hamburger)<\/span>Fernando Bernal<\/span><\/div>\n
Call Girl (Mikael Marcimain)<\/span>G\u00e9rard Alonso i Cassad\u00f3<\/span><\/div>\n
The Juan Bushwick Diaries (David Guti\u00e9rrez Camps)<\/span>Carlos Losilla<\/span><\/div>\n
Museum Hours (Jem Cohen)<\/span>Jaime Pena<\/span><\/div>\n
EL CR\u00cdTICO ACCIDENTAL<\/span><\/div>\n
Tres figuras para el cine del futuro<\/span>Quint\u00edn<\/span><\/div>\n
RESONANCIAS<\/span><\/div>\n
Po\u00e9tica del estoicismo<\/span>Javier H. Estrada<\/span><\/div>\n
CUADERNO DE ACTUALIDAD<\/span><\/div>\n
Estreno<\/span><\/div>\n
Too Much Johnson (Orson Welles)<\/span>Esteve Riambau<\/span><\/div>\n
Informe<\/span><\/div>\n
Mejores cortometrajes 2013<\/span>Alicia Albaladejo \/ Lola Mayo \/ Juanma Ruiz \/ Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Ciclos<\/span><\/div>\n
B\u00e1sicos cine espa\u00f1ol: El extra\u00f1o viaje (F. Fern\u00e1n G\u00f3mez)<\/span>Jos\u00e9 Antonio Hurtado<\/span><\/div>\n
Los imprescindibles de Caim\u00e1n: Sangue do Meu Sangue (Jo\u00e3o Canijo)<\/span>J. H. Estrada<\/span><\/div>\n
Festivales<\/span><\/div>\n
M\u00e1rgenes<\/span>Gerard A. Cassad\u00f3<\/span><\/div>\n
Otros<\/span><\/div>\n
Otros<\/span><\/div>\n
Entrevista Jean-Fran\u00e7ois Chevrier<\/span>Jean-Michel Frodon<\/span><\/div>\n
Blogs & Docs<\/span>Gonzalo de Pedro<\/span><\/div>\n
Chaplin en La Zarzuela<\/span>Juanma Ruiz<\/span><\/div>\n
Tristan e Isolda<\/span>David Rodr\u00edguez Cerd\u00e1n<\/span><\/div>\n
LO VIEJO Y LO NUEVO<\/span><\/div>\n
Urgencias 2013<\/span>Santos Zunzunegui<\/span><\/div>\n
MEDIATECA<\/span><\/div>\n
DVD<\/span><\/div>\n
El ladr\u00f3n de Bagdad (Raoul Walsh) (Blu-ray)<\/span>Carlos F. Heredero<\/span><\/div>\n
Europa One (Sebasti\u00e1n Cordero)<\/span>Juanma Ruiz<\/span><\/div>\n
Flores de equinoccio \/ Principios de verano \/ Crep\u00fasculo en Tokio (Yasujiro Ozu)<\/span>Javier H. Estrada<\/span><\/div>\n
Cautiva (Brillante Mendoza)<\/span>Jaime Pena<\/span><\/div>\n
La caseta de la risa (Sergio Citti)<\/span>Luis E. Par\u00e9s<\/span><\/div>\n
Un monstruo en Par\u00eds (Bibo Bergeron) (Blu-ray)<\/span>Luis E. Par\u00e9s<\/span><\/div>\n
Stories We Tell (Sarah Polley)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Gente en sitios (Juan Cavestany)<\/span>Carlos F. Heredero<\/span><\/div>\n
Las hermanas de Gion (Kenji Mizoguchi)<\/span>Javier H. Estrada<\/span><\/div>\n
Ip Man. La leyenda (Herman Yau)<\/span>Carlos F. Heredero<\/span><\/div>\n
Las brujas de Zugarramurdi (\u00c1lex de la Iglesia) (Blu-ray)<\/span>Juanma Ruiz<\/span><\/div>\n
Libros<\/span><\/div>\n
Max Oph\u00fcls (Carlos Losilla, coord.)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Paul Schrader. El cineasta frente a los tiempos (Carlos Losilla\/Caim\u00e1n)<\/span>Luis E. Par\u00e9s<\/span><\/div>\n
Chris Marker y la Jet\u00e9e (Antonio Escandell Tur)<\/span>Antonio Santamarina<\/span><\/div>\n
La emergencia del tiempo cinem\u00e1tico (Mary Ann Doane)<\/span>Antonio Santamarina<\/span><\/div>\n
El paisaje sonoro y la afinaci\u00f3n del mundo (E. Murray Schafer)<\/span>Juanma Ruiz<\/span><\/div>\n
Las puertas del poder. Kafka y Welles (Demetrio E. Brisset)<\/span>Antonio Santamarina<\/span><\/div>\n
TELEVISI\u00d3N<\/span><\/div>\n
Manierismo en la ficci\u00f3n televisiva norteamericana (Revenge \/ Scandal \/ The Blacklist)<\/span>Jara Fern\u00e1ndez<\/span><\/div>\n
ITINERARIOS<\/span><\/div>\n
La revoluci\u00f3n digital \/ 1.<\/span><\/div>\n
Sobre la nitidez de la imagen<\/span>David Bordwell<\/span><\/div>\n
Por qu\u00e9 el Oscar a la mejor fotograf\u00eda deber\u00eda dividirse en dos premios<\/span>Jamie Stuart<\/span><\/div>\n
La posible nueva amnesia<\/span>Luis E. Par\u00e9s<\/span><\/div>\n
AGENDA<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL La revoluci\u00f3n triunfanteCarlos F. Heredero GRAN ANGULAR Sexo \/ Cine Sexo en la pantalla. Anatom\u00eda de una relaci\u00f3nJean-Michel Frodon Olv\u00eddate del erotismoCristina \u00c1lvarez L\u00f3pez Asalto a la sala de montajeBeatriz Preciado Los l\u00edmites del deseo, el deseo sin l\u00edmitesCarlos Losilla El sexo que lloraEul\u00e0lia Iglesias Nymphomaniac. Volumen 2 (Cr\u00edtica)Jean-Michel Frodon Sexo en serie(s)Carlos Reviriego […]<\/p>\n","protected":false},"featured_media":22258,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22257","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-febrero","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22257"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22258"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22257"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22257"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22257"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}