{"id":22245,"date":"2026-03-06T08:04:15","date_gmt":"2026-03-06T08:04:15","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-81-30-%c2%b7-septiembre-y-octubre-%c2%b7-2014"},"modified":"2026-03-19T11:23:14","modified_gmt":"2026-03-19T11:23:14","slug":"caiman-cuadernos-de-cine-%c2%b7-no-81-30-%c2%b7-septiembre-y-octubre-%c2%b7-2014","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-81-30-%c2%b7-septiembre-y-octubre-%c2%b7-2014\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 81-30 \u00b7 Septiembre y Octubre \u00b7 2014"},"content":{"rendered":"
EDITORIAL<\/span><\/div>\n
La pasi\u00f3n de la cr\u00edtica<\/span>Carlos F. Heredero<\/span><\/div>\n
GRAN ANGULAR<\/span><\/div>\n
Boyhood<\/span><\/div>\n
Entrevista Richard Linklater<\/span>Ryan Gilbey<\/span><\/div>\n
Cr\u00edtica \u2018Boyhood\u2019<\/span>Carlos F. Heredero<\/span><\/div>\n
La edad de la improvisaci\u00f3n<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Rotoscopiar el tiempo<\/span>Jaime Pen<\/span><\/div>\n
Hitos de un viaje<\/span>Adrian Martin \/ Cristina \u00c1lvarez L\u00f3pez<\/span><\/div>\n
El actor, el personaje, el tiempo<\/span>Carlos Losilla<\/span><\/div>\n
As Time Goes By\u2026<\/span><\/div>\n
El ciclo de Antoine Doinel<\/span>Carlos Losilla<\/span><\/div>\n
La \u00faltima pel\u00edcula \/ Texasville<\/span>Carlos F. Heredero<\/span><\/div>\n
La trilog\u00eda de Bill Douglas<\/span>J. E. Monterde<\/span><\/div>\n
Tree of Knowledge<\/span>Javier H. Estrada<\/span><\/div>\n
Anna<\/span>Gonzalo de Pedro Amatria<\/span><\/div>\n
The Up Series<\/span>Elena Oroz<\/span><\/div>\n
Numax presenta\u2026 \/ Veinte a\u00f1os no es nada<\/span>Carlos F. Heredero<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
El congreso (Ari Folman)<\/span>Sergi S\u00e1nchez<\/span><\/div>\n
Entrevista Ari Folman<\/span>Javier H. Estrada<\/span><\/div>\n
Jersey Boys (Clint Eastwood)<\/span>Carlos F. Heredero \/ Andrea Mor\u00e1n<\/span><\/div>\n
Una cita para el verano (Philip Seymour Hoffman)<\/span>Carlos Losilla<\/span><\/div>\n
El Ni\u00f1o (Daniel Monz\u00f3n)<\/span>Jos\u00e9 Luis \u00c1lvarez Cedena<\/span><\/div>\n
Entrevista Daniel Monz\u00f3n<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Sacro GRA (Gianfranco Rosi)<\/span>Javier H. Estrada<\/span><\/div>\n
Entrevista Gianfranco Rosi<\/span>Javier H. Estrada<\/span><\/div>\n
Boy Eating the Bird\u2019s Food (Ektoras Lygizos)<\/span>Gerard Alonso i Cassad\u00f3<\/span><\/div>\n
Guardianes de la galaxia (James Gunn)<\/span>Juanma Ruiz<\/span><\/div>\n
El amor es un crimen perfecto (Arnaud y Jean-Marie Larrieu)<\/span>Carlos Losilla<\/span><\/div>\n
Antes del fr\u00edo invierno (Philippe Claudel)<\/span>Sofia P\u00e9rez<\/span><\/div>\n
Betib\u00fa (Miguel Cohan)<\/span>Andrea Mor\u00e1n<\/span><\/div>\n
Bugarach (V. Durall, S. Sunyer, S. Cameron)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Costa da morte (Lois Pati\u00f1o)<\/span>Gonzalo de Pedro<\/span><\/div>\n
La danza de la realidad (Alejandro Jodorowsky)<\/span>Gerard Alonso i Cassad\u00f3<\/span><\/div>\n
Dos metros de esta tierra (Ahmad Natche)<\/span>Gonzalo de Pedro<\/span><\/div>\n
Gabor (Sebasti\u00e1n Alfie)<\/span>Fernando Bernal<\/span><\/div>\n
God Help the Girl (Stuart Murdoch)<\/span>Fernando Bernal<\/span><\/div>\n
El hombre m\u00e1s buscado (Anton Corbijn)<\/span>Sofia P\u00e9rez<\/span><\/div>\n
Mai \u00e9s tan fosc (\u00c8rika S\u00e1nchez)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
El secuestro de Michel Houellebecq (Guillaume Nicloux)<\/span>Alejandro D\u00edaz Casta\u00f1o<\/span><\/div>\n
Ciudad Delirio (Chus Guti\u00e9rrez)<\/span>Ricardo Gonz\u00e1lez<\/span><\/div>\n
En un patio de Par\u00eds (Pierre Salvadori)<\/span>Ricardo Gonz\u00e1lez<\/span><\/div>\n
Joe (David Gordon Green)<\/span>Jaime Pena<\/span><\/div>\n
EL CR\u00cdTICO ACCIDENTAL<\/span><\/div>\n
El director despreciado<\/span>Quint\u00edn<\/span><\/div>\n
SCANNER<\/span><\/div>\n
Carta a Q<\/span>Adrian Martin<\/span><\/div>\n
RESONANCIAS<\/span><\/div>\n
La pesadilla de la guerra limpia<\/span>Jordi Ball\u00f3<\/span><\/div>\n
CUADERNO DE ACTUALIDAD<\/span><\/div>\n
Informe: Cine peruano<\/span><\/div>\n
Expansi\u00f3n y contradicciones<\/span>Javier H. Estrada<\/span><\/div>\n
Terror andino y cine provinciano<\/span>Isaac Le\u00f3n Fr\u00edas<\/span><\/div>\n
El cine de Miguel Vargas<\/span>Leny Fern\u00e1ndez<\/span><\/div>\n
El cine silente en el Per\u00fa \/ El cine sonoro en el Per\u00fa (Ricardo Bedoya)<\/span>Javier H. Estrada<\/span><\/div>\n
Tierras bravas. Cine peruano y latinoamericano (Isaac Le\u00f3n Fr\u00edas)<\/span>Antonio Santamarina<\/span><\/div>\n
Festivales<\/span><\/div>\n
Locarno<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Cinema Jove<\/span>Daniel Gasc\u00f3<\/span><\/div>\n
Programaci\u00f3n San Sebasti\u00e1n<\/span><\/div>\n
Ciclo<\/span><\/div>\n
Cine hist\u00f3rico coreano<\/span>Javier H. Estrada<\/span><\/div>\n
Congreso<\/span><\/div>\n
Cine vasco<\/span>Jes\u00fas Angulo<\/span><\/div>\n
MEDIATECA<\/span><\/div>\n
DVD<\/span><\/div>\n
Sed de mal. La visi\u00f3n del director (Orson Welles) (Blu-ray)<\/span>Jaime Pena<\/span><\/div>\n
Todo va bien (Jean-Luc Godard)<\/span>Luis E. Par\u00e9s<\/span><\/div>\n
Venga Monjas (Carlos Vermut y otros)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Asier y yo (Amaia y Aitor Merino)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
El sur (V\u00edctor Erice) (Blu-ray)<\/span>Carlos F. Heredero<\/span><\/div>\n
Twin Peaks. The Entire Mystery (David Lynch) (Blu-ray)<\/span>Juanma Ruiz<\/span><\/div>\n
Cofres Yasujir\u00f4 Ozu (blanco y negro \/ color)<\/span>Carlos F. Heredero<\/span><\/div>\n
Homicidio en primer grado (Marc Rocco) (Blu-ray)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
La prima Ang\u00e9lica (Carlos Saura) (Blu-ray)<\/span>Carlos F. Heredero<\/span><\/div>\n
Trono de sangre (Akira Kurosawa) (Blu-ray)<\/span>Juanma Ruiz<\/span><\/div>\n
Libros<\/span><\/div>\n
El Greco, cineasta (Serguei M. Eisenstein)<\/span>Antonio Santamarina<\/span><\/div>\n
Im\u00e1genes narradas. C\u00f3mo hacer visible lo invisible en un gui\u00f3n de cine (Coral Cruz)<\/span>Jonay Armas<\/span><\/div>\n
Im\u00e1genes escritas. Obras maestras del cine (Juan Carlos Gonz\u00e1lez)<\/span>Juanma Ruiz<\/span><\/div>\n
Hollywood. El espejo pintado (1920-2011) (Juan Miguel Company)<\/span>Antonio Santamarina<\/span><\/div>\n
LO VIEJO Y LO NUEVO<\/span><\/div>\n
El precio del poder<\/span>Santos Zunzunegui<\/span><\/div>\n
ITINERARIOS<\/span><\/div>\n
Henri Langlois<\/span><\/div>\n
La pedagog\u00eda del drag\u00f3n<\/span>Luis E. Par\u00e9s<\/span><\/div>\n
300 a\u00f1os de historia<\/span>Luis E. Par\u00e9s<\/span><\/div>\n
AGENDA<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL La pasi\u00f3n de la cr\u00edticaCarlos F. Heredero GRAN ANGULAR Boyhood Entrevista Richard LinklaterRyan Gilbey Cr\u00edtica \u2018Boyhood\u2019Carlos F. Heredero La edad de la improvisaci\u00f3n\u00c0ngel Quintana Rotoscopiar el tiempoJaime Pen Hitos de un viajeAdrian Martin \/ Cristina \u00c1lvarez L\u00f3pez El actor, el personaje, el tiempoCarlos Losilla As Time Goes By\u2026 El ciclo de Antoine DoinelCarlos Losilla […]<\/p>\n","protected":false},"featured_media":22246,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22245","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-septiembre-y-octubre","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22245"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22246"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22245"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22245"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22245"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}