{"id":22223,"date":"2026-03-06T08:04:08","date_gmt":"2026-03-06T08:04:08","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-92-41-%c2%b7-septiembre-%c2%b7-2015"},"modified":"2026-03-19T11:23:16","modified_gmt":"2026-03-19T11:23:16","slug":"caiman-cuadernos-de-cine-%c2%b7-no-92-41-%c2%b7-septiembre-%c2%b7-2015","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-92-41-%c2%b7-septiembre-%c2%b7-2015\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 92-41 \u00b7 Septiembre \u00b7 2015"},"content":{"rendered":"
EDITORIAL<\/span><\/div>\n
Pantallas para todos<\/span>Carlos F. Heredero<\/span><\/div>\n
GRAN ANGULAR<\/span><\/div>\n
Comedia USA<\/span><\/div>\n
La risa nost\u00e1lgica<\/span>Javier H. Estrada<\/span><\/div>\n
Filmar las ruinas<\/span>Carlos Losilla<\/span><\/div>\n
Mientras seamos j\u00f3venes (Noah Baumbach)<\/span>Carlos F. Heredero<\/span><\/div>\n
Irrational Man (Woody Allen)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Entrevista Woody Allen<\/span>Carlos Reviriego<\/span><\/div>\n
Y de repente t\u00fa (Judd Apatow)<\/span>Jaime Pena<\/span><\/div>\n
Ricki (Jonathan Demme)<\/span>Andrea Mor\u00e1n<\/span><\/div>\n
EN MOVIMIENTO<\/span><\/div>\n
Young Orson<\/span>Jonathan Rosenbaum<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
Los exiliados rom\u00e1nticos (Jon\u00e1s Trueba)<\/span>Carlos F. Heredero<\/span><\/div>\n
Entrevista Jon\u00e1s Trueba<\/span>Enric Albero<\/span><\/div>\n
Eden (Mia Hansen-L\u00f8ve)<\/span>Carlos Losilla<\/span><\/div>\n
Entrevista Mia Hansen-L\u00f8ve<\/span>Carlos Reviriego<\/span><\/div>\n
Los h\u00e9roes del mal (Zoe Berriat\u00faa)<\/span>Enric Albero<\/span><\/div>\n
Entrevista Zoe Berriat\u00faa<\/span>Enric Albero<\/span><\/div>\n
Anacleto: Agente secreto (Javier Ruiz Caldera)<\/span>Andrea Mor\u00e1n<\/span><\/div>\n
Los hongos (\u00d3scar Ruiz Navia)<\/span>Carles Matamoros<\/span><\/div>\n
Una chica vuelve a casa sola de noche (Ana Lily Amirpour)<\/span>Gerard Alonso i Cassad\u00f3<\/span><\/div>\n
Atrapa la bandera (Enrique Gato)<\/span>Ricardo Gonz\u00e1lez Iglesias<\/span><\/div>\n
B. La pel\u00edcula (David Ilundain)<\/span>Fernando Bernal<\/span><\/div>\n
El cartero de las noches blancas (A. Konchalovsky)<\/span>Javier H. Estrada<\/span><\/div>\n
Coraz\u00f3n silencioso (Bille August)<\/span>Sofia P\u00e9rez Delgado<\/span><\/div>\n
El desconocido (Dani de la Torre)<\/span>Jonay Armas<\/span><\/div>\n
Grandma (Paul Weitz)<\/span>Miquel Zafra<\/span><\/div>\n
ma ma (Julio Medem)<\/span>Daniel Reigosa<\/span><\/div>\n
Papusza (Joanna Kos-Krauze, Krzysztof Krauze)<\/span>Miquel Zafra<\/span><\/div>\n
Reina y Patria (John Boorman)<\/span>Beatriz Mart\u00ednez<\/span><\/div>\n
La camarera Lynn (Ingo Haeb)<\/span>Lourdes Monterrubio<\/span><\/div>\n
Cut Bank (Matt Shakman)<\/span>Daniel Reigosa<\/span><\/div>\n
Lilting (Hong Khaou)<\/span>Jonay Armas<\/span><\/div>\n
Mr. Holmes (Bill Condon)<\/span>Juanma Ruiz<\/span><\/div>\n
Las sillas musicales (Marie Belhomme)<\/span>Sofia P\u00e9rez Delgado<\/span><\/div>\n
El virus de la por (Ventura Pons)<\/span>Daniel Gasc\u00f3<\/span><\/div>\n
Maidan (Sergei Loznitsa)<\/span>Gerard Alonso i Cassad\u00f3<\/span><\/div>\n
No escribir\u00e9 arte con may\u00fascula (Luis Deltell, Miguel \u00c1lvarez-Fern\u00e1ndez)<\/span>Ricardo Gonz\u00e1lez Iglesias<\/span><\/div>\n
EL CR\u00cdTICO ACCIDENTAL<\/span><\/div>\n
Trenes y pel\u00edculas<\/span>Quint\u00edn<\/span><\/div>\n
RESONANCIAS<\/span><\/div>\n
Encrucijadas de la visi\u00f3n<\/span>Santos Zunzunegui<\/span><\/div>\n
CUADERNO DE ACTUALIDAD<\/span><\/div>\n
Festivales<\/span><\/div>\n
Locarno<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Cinema Jove<\/span>Daniel Gasc\u00f3<\/span><\/div>\n
Festivalito<\/span>Jonay Armas<\/span><\/div>\n
FIDMarseille<\/span>Andrea Mor\u00e1n<\/span><\/div>\n
Lima Independiente<\/span>Ricardo Bedoya<\/span><\/div>\n
Avances<\/span><\/div>\n
Cine espa\u00f1ol en festivales internacionales<\/span>Juanma Ruiz<\/span><\/div>\n
Programaci\u00f3n San Sebasti\u00e1n<\/span><\/div>\n
TELEVISI\u00d3N<\/span><\/div>\n
The Jinx (El gafe)<\/span>Carlos Reviriego<\/span><\/div>\n
MEDIATECA<\/span><\/div>\n
DVD<\/span><\/div>\n
Libros<\/span><\/div>\n
LO VIEJO Y LO NUEVO<\/span><\/div>\n
Pueblo e Historia<\/span>Santos Zunzunegui<\/span><\/div>\n
ITINERARIOS<\/span><\/div>\n
El circuito de la exhibici\u00f3n alternativa en Espa\u00f1a. Otras pantallas para otro cine<\/span>Covadonga G. Lahera<\/span><\/div>\n
Listado de salas<\/span><\/div>\n
AGENDA<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL Pantallas para todosCarlos F. Heredero GRAN ANGULAR Comedia USA La risa nost\u00e1lgicaJavier H. Estrada Filmar las ruinasCarlos Losilla Mientras seamos j\u00f3venes (Noah Baumbach)Carlos F. Heredero Irrational Man (Woody Allen)\u00c0ngel Quintana Entrevista Woody AllenCarlos Reviriego Y de repente t\u00fa (Judd Apatow)Jaime Pena Ricki (Jonathan Demme)Andrea Mor\u00e1n EN MOVIMIENTO Young OrsonJonathan Rosenbaum CUADERNO CR\u00cdTICO Los exiliados […]<\/p>\n","protected":false},"featured_media":22224,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22223","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-septiembre","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22223"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22224"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22223"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22223"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22223"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}