{"id":22095,"date":"2021-06-24T09:16:53","date_gmt":"2021-06-24T09:16:53","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-157-106-%c2%b7-julio-agosto-%c2%b7-2021"},"modified":"2026-03-19T11:31:23","modified_gmt":"2026-03-19T11:31:23","slug":"caiman-cuadernos-de-cine-%c2%b7-no-157-106-%c2%b7-julio-agosto-%c2%b7-2021","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-157-106-%c2%b7-julio-agosto-%c2%b7-2021\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 157-106 \u00b7 Julio-Agosto \u00b7 2021"},"content":{"rendered":"
EDITORIAL<\/span><\/div>\n
En voz baja (Suwa, Sangsoo, Kurosawa)<\/span>Carlos F. Heredero<\/span><\/div>\n
GRAN ANGULAR \/ La mujer del esp\u00eda (Kiyoshi Kurosawa)<\/span><\/div>\n
Kiyoshi Kurosawa: el miedo a uno mismo<\/span>Beatriz Mart\u00ednez<\/span><\/div>\n
Ahora me ves, ahora no<\/span>Violeta Kovacsics<\/span><\/div>\n
Cr\u00edtica<\/span>Carlos Losilla<\/span><\/div>\n
Entrevista Kiyoshi Kurosawa<\/span>Javier H. Estrada<\/span><\/div>\n
EL CANTO DE LA STILLA<\/span><\/div>\n
Mustang<\/span>Pilar Pedraza<\/span><\/div>\n
FOCOS \/ El tel\u00e9fono del viento (Nobuhiro Suwa)<\/span><\/div>\n
Cr\u00edtica<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Entrevista Nobuhiro Suwa<\/span>Carles Matamoros<\/span><\/div>\n
FOCOS \/ La mujer que escap\u00f3 (Hong Sangsoo)<\/span><\/div>\n
Cr\u00edtica<\/span>Jaime Pena<\/span><\/div>\n
Las palabras y las cosas<\/span>Carlos Losilla<\/span><\/div>\n
EN MOVIMIENTO<\/span><\/div>\n
Dos recomendaciones de Elaine May<\/span>Jonathan Rosenbaum<\/span><\/div>\n
HISTORIA(S) DEL CINE \/ Entrevistas con directoras de fotograf\u00eda (3)<\/span><\/div>\n
HISTORIA(S) DEL CINE \/ Entrevistas con directoras de fotograf\u00eda (3)<\/span><\/div>\n
Neus Oll\u00e9<\/span>Concha G\u00f3mez<\/span><\/div>\n
INFORMES<\/span><\/div>\n
Festival de M\u00e1laga<\/span>Enric Albero, Jos\u00e9 F\u00e9lix Collazos<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
La vida de los dem\u00e1s (Mohammad Rasoulof)<\/span>Fernando Bernal<\/span><\/div>\n
Mare of Easttown (Brad Ingelsby, Craig Zobel)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Mand\u00edbulas (Quentin Dupieux)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Queridos camaradas (Andr\u00e9i Konchalovski)<\/span>Carlos Losilla<\/span><\/div>\n
Madres verdaderas (Naomi Kawase)<\/span>Jaime Pena<\/span><\/div>\n
Un blues para Teher\u00e1n (Javier Tolentino)<\/span>Javier Rueda<\/span><\/div>\n
Las cosas que decimos, las cosas que hacemos (Emmanuel Mouret)<\/span>Jos\u00e9 F\u00e9lix Collazos<\/span><\/div>\n
Ama (J\u00falia de Paz Solvas)<\/span>Enric Albero<\/span><\/div>\n
Las apariencias (Marc Fitoussi)<\/span>Jonay Armas<\/span><\/div>\n
Un bocado exquisito (Christoffer Boe)<\/span>Javier Rueda<\/span><\/div>\n
El caso Wanninkhof-Carabantes (Tania Ball\u00f3)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Family Romance, LLC (Werner Herzog)<\/span>Carlos F. Heredero<\/span><\/div>\n
Lola (Laurent Micheli)<\/span>Javier Rueda<\/span><\/div>\n
Lucas (\u00c1lex Montoya)<\/span>Jos\u00e9 F\u00e9lix Collazos<\/span><\/div>\n
Miss Marx (Susanna Nicchiarelli)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Planta permanente (Ezequiel Radusky)<\/span>Yago de Torres<\/span><\/div>\n
Tres veranos (Sandra Kogut)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
La viajante (Miguel Mej\u00edas)<\/span>Jonay Armas<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n
R\u00c1FAGAS \/ Avance Cannes 2021<\/span><\/div>\n
Cine de autor en chanclas<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Entrevista Clara Roquet<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Lois Pati\u00f1o y Mat\u00edas Pi\u00f1eiro<\/span>Jaime Pena<\/span><\/div>\n
Programaci\u00f3n<\/span><\/div>\n
Filmadrid 2021<\/span>Cristina Aparicio<\/span><\/div>\n
Sundance TV. Retorno a Cannes y Venecia<\/span>Felipe Rodr\u00edguez Torres<\/span><\/div>\n
18\u00ba Documenta Madrid<\/span>Javier Rueda<\/span><\/div>\n
Luis Garc\u00eda Berlanga. Documento y coralidad<\/span>Jos\u00e9 Enrique Monterde<\/span><\/div>\n
34\u00aa Semana de Cine de Medina del Campo<\/span>Felipe Rodr\u00edguez Torres<\/span><\/div>\n
12\u00aa Mostra de Cinema Perif\u00e9rico (S8) (A Coru\u00f1a)<\/span>Jos\u00e9 Manuel Sande<\/span><\/div>\n
Festival de cine alem\u00e1n (Madrid)<\/span>Cristina Aparicio<\/span><\/div>\n
MEDIATECA \/ DVD \/ Blu-ray<\/span><\/div>\n
Fellini de los esp\u00edritus (Anselma Dell\u2019Olio)<\/span>Fernando Bernal<\/span><\/div>\n
El crack (Jos\u00e9 Luis Garci)<\/span>Juanma Ruiz<\/span><\/div>\n
Imitaci\u00f3n a la vida (Douglas Sirk)<\/span>Carlos F. Heredero<\/span><\/div>\n
Ammonite (Francis Lee)<\/span>Cristina Aparicio<\/span><\/div>\n
MEDIATECA \/ Libros<\/span><\/div>\n
Cortograf\u00edas. Mapas del cortometraje espa\u00f1ol (2010-2019) (Cristina Aparicio, Juanma Ruiz, Jara Y\u00e1\u00f1ez, eds.)<\/span>Andrea Mor\u00e1n Ferr\u00e9s<\/span><\/div>\n
Reframing Portuguese Cinema in the 21st Century (Daniel Ribas, Paulo Cunha, eds.)<\/span>Jaime Pena<\/span><\/div>\n
La Guerre civile dans le c\u00ednema espagnol de la d\u00e9mocratie (Marie-Soledad Rodriguez)<\/span>Antonio Santamarina<\/span><\/div>\n
Series contra cultura. Una gu\u00eda humanista de la ficci\u00f3n televisiva (Alberto Nahum Garc\u00eda)<\/span>Javier Rueda<\/span><\/div>\n
Abbas Kiarostami. L\u2019Oeuvre ouverte (Agn\u00e8s Devictor, Jean-Michel Frodon)<\/span>Antonio Santamarina<\/span><\/div>\n
AGENDA<\/span><\/div>\n
THE END \/ En otro pa\u00eds (Hong Sangsoo)<\/span><\/div>\n
El n\u00famero m\u00e1gico<\/span>Andrea Mor\u00e1n Ferr\u00e9s<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL En voz baja (Suwa, Sangsoo, Kurosawa)Carlos F. Heredero GRAN ANGULAR \/ La mujer del esp\u00eda (Kiyoshi Kurosawa) Kiyoshi Kurosawa: el miedo a uno mismoBeatriz Mart\u00ednez Ahora me ves, ahora noVioleta Kovacsics Cr\u00edticaCarlos Losilla Entrevista Kiyoshi KurosawaJavier H. Estrada EL CANTO DE LA STILLA MustangPilar Pedraza FOCOS \/ El tel\u00e9fono del viento (Nobuhiro Suwa) Cr\u00edtica\u00c0ngel […]<\/p>\n","protected":false},"featured_media":22096,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22095","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-julio-agosto","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22096"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22095"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22095"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22095"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}