{"id":22089,"date":"2022-01-07T10:52:10","date_gmt":"2022-01-07T10:52:10","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-162-%c2%b7-enero-%c2%b7-2022"},"modified":"2026-03-19T11:31:10","modified_gmt":"2026-03-19T11:31:10","slug":"caiman-cuadernos-de-cine-%c2%b7-no-162-%c2%b7-enero-%c2%b7-2022","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-162-%c2%b7-enero-%c2%b7-2022\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 162 \u00b7 Enero \u00b7 2022"},"content":{"rendered":"
EDITORIAL<\/span><\/div>\n
Hacer visible lo invisible<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
PRESENTACI\u00d3N<\/span><\/div>\n
Nueva etapa, nuevas energ\u00edas, nuevos horizontes\u2026<\/span>Carlos F. Heredero<\/span><\/div>\n
GRAN ANGULAR: El contador de cartas (Paul Schrader)<\/span><\/div>\n
Cr\u00edtica<\/span>Violeta Kovacsics<\/span><\/div>\n
El viaje del antih\u00e9roe<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
El canon de Paul Schrader<\/span>Carlos F. Heredero<\/span><\/div>\n
Liberaci\u00f3n de la palabra<\/span>Carlos Losilla<\/span><\/div>\n
En pos de la redenci\u00f3n<\/span>Jos\u00e9 Enrique Monterde<\/span><\/div>\n
FOCOS: El musical contempor\u00e1neo<\/span><\/div>\n
Cr\u00edtica \u2018West Side Story\u2019<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Broadway en la pantalla o la crisis de la gallina de los huevos de oro<\/span>\u00c0ngel Quintana<\/span><\/div>\n
M\u00fasica e imagen<\/span>Juanma Ruiz<\/span><\/div>\n
A GIRL AND A GUN<\/span><\/div>\n
Vivir con el arte, y estanter\u00edas desbordadas<\/span>Stephanie Zacharek<\/span><\/div>\n
INFORMES: Lo mejor de 2021<\/span><\/div>\n
Votaciones<\/span><\/div>\n
El a\u00f1o de la escasez y la abundancia<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Cine espa\u00f1ol. De nuevo en transici\u00f3n<\/span>Carlos Losilla<\/span><\/div>\n
In\u00e9ditas. Cannes manda<\/span>Jaime Pena<\/span><\/div>\n
ABRIR PUERTAS Y VENTANAS<\/span><\/div>\n
El archipi\u00e9lago y la burbuja<\/span>Jean-Michel Frodon<\/span><\/div>\n
HISTORIA(S) DEL CINE: Sergei Loznitsa<\/span><\/div>\n
Entrevista<\/span>Enric Albero<\/span><\/div>\n
Restaurando la memoria<\/span>Javier H. Estrada<\/span><\/div>\n
HISTORIA(S) DEL CINE: Black Films Matter<\/span><\/div>\n
El nacimiento de otra naci\u00f3n<\/span>Martin Pawley<\/span><\/div>\n
HISTORIA(S) DEL CINE: Entrevistas con directoras de fotograf\u00eda (7)<\/span><\/div>\n
HISTORIA(S) DEL CINE: Entrevistas con directoras de fotograf\u00eda (7)<\/span><\/div>\n
Daniela Caj\u00edas<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
Licorice Pizza (Paul Thomas Anderson)<\/span>Carlos F. Heredero<\/span><\/div>\n
Voyage of Time: un documental IMAX (Terrence Malick)<\/span>Jaime Pena<\/span><\/div>\n
La tragedia de Macbeth (Joel Coen)<\/span>Carlos F. Heredero<\/span><\/div>\n
Claroscuro (Rebecca Hall)<\/span>Jaime Pena<\/span><\/div>\n
Cryptozoo (Dash Shaw)<\/span>Miquel Jon\u00e1s Zafra<\/span><\/div>\n
American Crime Story (T3). El caso Lewinsky (Ryan Murphy, Brad Falchuk)<\/span>Violeta Kovacsics<\/span><\/div>\n
El caso Villa Caprice (Bernard Stora)<\/span>Cristina Aparicio<\/span><\/div>\n
CODA (Si\u00e2n Heder)<\/span>Cristina Aparicio<\/span><\/div>\n
La estrella de los simios (Linda Hamb\u00e4ck)<\/span>Jos\u00e9 F\u00e9lix Collazos<\/span><\/div>\n
Hacks (Luc\u00eda Aniello)<\/span>Javier Rueda<\/span><\/div>\n
Hechos probados (Alejo Moreno)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Hierve (Philip Barantini)<\/span>Yago de Torres<\/span><\/div>\n
I Never Cry (Yo nunca lloro) (Piotr Domalewski)<\/span>Daniel Reigosa<\/span><\/div>\n
Matrix Resurrections (Lana Wachowski)<\/span>Felipe Rodr\u00edguez Torres<\/span><\/div>\n
No mires arriba (Adam McKay)<\/span>Javier Rueda<\/span><\/div>\n
Silent Night (Camille Griffin)<\/span>Jos\u00e9 F\u00e9lix Collazos<\/span><\/div>\n
Spider-Man: No Way Home (Jon Watts)<\/span>Juanma Ruiz<\/span><\/div>\n
Venga Juan (Diego San Jos\u00e9)<\/span>Javier Rueda<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n
R\u00c1FAGAS<\/span><\/div>\n
59\u00ba FICX (Gij\u00f3n)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
63\u00ba Zinebi (Bilbao)<\/span>Enric Albero<\/span><\/div>\n
L\u2019Alternativa (Barcelona)<\/span>Ignasi Franch<\/span><\/div>\n
33\u00ba Festival de Aguilar de Campoo<\/span>Javier Rueda<\/span><\/div>\n
11\u00aa Muestra de Cine de Lanzarote<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
6\u00ba Novos Cinemas (Pontevedra)<\/span>Enric Albero<\/span><\/div>\n
M\u00e1rgenes 2021<\/span>Cristina Aparicio<\/span><\/div>\n
MEDIATECA: DVD \/ Blu-ray<\/span><\/div>\n
Rojo y negro (Carlos Ar\u00e9valo)<\/span>Carlos F. Heredero<\/span><\/div>\n
Barbarroja (Akira Kurosawa)<\/span>Ignasi Franch<\/span><\/div>\n
Pack Fernando Fern\u00e1n-G\u00f3mez (VV AA.)<\/span>Carlos F. Heredero<\/span><\/div>\n
Ceremonia sangrienta \/ No profanar el sue\u00f1o de los muertos (Jorge Grau)<\/span>Juanma Ruiz<\/span><\/div>\n
MEDIATECA: Libros<\/span><\/div>\n
Flores en el infierno (Quim Casas, Roberto Cueto, Ana Cristina Iriarte, eds.)<\/span>Jos\u00e9 Antonio Hurtado<\/span><\/div>\n
Berlanga y Fern\u00e1n-G\u00f3mez, en di\u00e1logo (Manuel Hidalgo)<\/span>Carlos F. Heredero<\/span><\/div>\n
Cine coreano. Cine se escribe con K (Beatriz Vera Poseck)<\/span>Juanma Ruiz<\/span><\/div>\n
RECTIFICACI\u00d3N<\/span><\/div>\n
SEFF 2021: Revoluciones permanentes<\/span>Enric Albero<\/span><\/div>\n
AGENDA<\/span><\/div>\n
THE END: Taxi Driver (Martin Scorsese)<\/span><\/div>\n
La \u00faltima mirada<\/span>Andrea Mor\u00e1n<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL Hacer visible lo invisibleJara Y\u00e1\u00f1ez PRESENTACI\u00d3N Nueva etapa, nuevas energ\u00edas, nuevos horizontes\u2026Carlos F. Heredero GRAN ANGULAR: El contador de cartas (Paul Schrader) Cr\u00edticaVioleta Kovacsics El viaje del antih\u00e9roeEul\u00e0lia Iglesias El canon de Paul SchraderCarlos F. Heredero Liberaci\u00f3n de la palabraCarlos Losilla En pos de la redenci\u00f3nJos\u00e9 Enrique Monterde FOCOS: El musical contempor\u00e1neo Cr\u00edtica \u2018West […]<\/p>\n","protected":false},"featured_media":22090,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22089","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-enero","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22089"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22090"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22089"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22089"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22089"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}