{"id":22079,"date":"2022-04-11T09:56:07","date_gmt":"2022-04-11T09:56:07","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-165-%c2%b7-abril-%c2%b7-2022"},"modified":"2026-03-19T11:31:00","modified_gmt":"2026-03-19T11:31:00","slug":"caiman-cuadernos-de-cine-%c2%b7-no-165-%c2%b7-abril-%c2%b7-2022","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-165-%c2%b7-abril-%c2%b7-2022\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 165 \u00b7 Abril \u00b7 2022"},"content":{"rendered":"
EDITORIAL<\/span><\/div>\n
Las im\u00e1genes y la guerra<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
GRAN ANGULAR: Alcarr\u00e0s (Carla Sim\u00f3n)<\/span><\/div>\n
Entrevistas Carla Sim\u00f3n, Daniela Caj\u00edas y Eva Vali\u00f1o<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Cr\u00edtica<\/span>Carlos F. Heredero<\/span><\/div>\n
Entrevista Mar\u00eda Zamora<\/span>Andrea Mor\u00e1n<\/span><\/div>\n
Redescubrir el paisaje originario<\/span>Javier H. Estrada<\/span><\/div>\n
Documentar mundos que se pierden<\/span>\u00c0ngel Quintana<\/span><\/div>\n
A GIRL AND A GUN<\/span><\/div>\n
Hora de acabar con los mitos del M\u00e9todo<\/span>Stephanie Zacharek<\/span><\/div>\n
DOSIER ESPECIAL: Ucrania: la guerra y el cine<\/span><\/div>\n
El cine es el hogar<\/span>Arsenii Kniazkov<\/span><\/div>\n
Sentimiento de guerra<\/span>Julia Sinkevych<\/span><\/div>\n
Tengo que irme al refugio<\/span>Olga Beskhmelnitsyna<\/span><\/div>\n
Carta desde Ucrania<\/span>Marina Stepanska<\/span><\/div>\n
Dentro del genocidio<\/span>Iryna Tsilyk<\/span><\/div>\n
Ahora soy fot\u00f3grafo y conductor<\/span>Serhiy Mykhalchuk<\/span><\/div>\n
Cineastas de Ucrania<\/span>Zhanna Maksymenko-Dovhych<\/span><\/div>\n
Im\u00e1genes de un eterno retorno<\/span>\u00c0ngel Quintana<\/span><\/div>\n
El cine de hoy, la guerra de muchos a\u00f1os<\/span>Javier H. Estrada<\/span><\/div>\n
Esta lluvia nunca cesar\u00e1 (Alina Gorlova)<\/span>Jonay Armas<\/span><\/div>\n
ABRIR PUERTAS Y VENTANAS<\/span><\/div>\n
Un diluvio de pel\u00edculas pol\u00edticas<\/span>Jean-Michel Frodon<\/span><\/div>\n
HISTORIA(S) DEL CINE: Apichatpong Weerasethakul. Exposici\u00f3n \u2018Perif\u00e8ria de la nit\u2019<\/span><\/div>\n
La condici\u00f3n durmiente<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Entrevista<\/span>Javier H. Estrada<\/span><\/div>\n
INFORMES: Berlinale 2022<\/span><\/div>\n
Los tests negativos<\/span>Jaime Pena<\/span><\/div>\n
Historias de fraternidad<\/span>Javier H. Estrada<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
Para Chiara (Jonas Carpignano)<\/span>Javier Rueda<\/span><\/div>\n
Entrevista Jonas Carpignano<\/span>Javier Rueda<\/span><\/div>\n
Las gentiles (Santi Amodeo)<\/span>Carlos F. Heredero<\/span><\/div>\n
Entrevista Santi Amodeo<\/span>Enric Albero<\/span><\/div>\n
Arthur Rambo (Laurent Cantet)<\/span>Fernando Bernal<\/span><\/div>\n
Apolo 10 1\/2 (Richard Linklater)<\/span>Carlos F. Heredero<\/span><\/div>\n
D\u00f3nde est\u00e1 Anne Frank (Ari Folman)<\/span>Jonay Armas<\/span><\/div>\n
Las difusas fronteras del documental animado<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Fabian (Dominik Graf)<\/span>Jaime Pena<\/span><\/div>\n
Compartimento n\u00ba 6 (Juho Kuosmanen)<\/span>Carlos F. Heredero<\/span><\/div>\n
Canallas (Daniel Guzm\u00e1n)<\/span>Enric Albero<\/span><\/div>\n
Las cartas de amor no existen (J\u00e9r\u00f4me Bonnell)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
Un cielo tan turbio (\u00c1lvaro F. Pulpeiro)<\/span>Jonay Armas<\/span><\/div>\n
El hombre que vendi\u00f3 su piel (Kaouther Ben Hania)<\/span>Yago de Torres<\/span><\/div>\n
Una orquesta armada (Iv\u00e1n Mu\u00f1iz)<\/span>Daniel Reigosa<\/span><\/div>\n
El profesor Bachmann y su clase (Maria Speth)<\/span>Andrea Mor\u00e1n<\/span><\/div>\n
Vaca (Andrea Arnold)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Veneciafrenia (\u00c1lex de la Iglesia)<\/span>Felipe Rodr\u00edguez Torres<\/span><\/div>\n
Woman of the Photographs (Takeshi Kushida)<\/span>Miquel Jon\u00e1s Zafra<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n
CORTOMETRAJES<\/span><\/div>\n
Train Again (Peter Tscherkassky)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
R\u00c1FAGAS<\/span><\/div>\n
Panorama IBAFF (Murcia)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
Japanese Film Festival Online<\/span>Cristina Aparicio<\/span><\/div>\n
Exposici\u00f3n \u2018Cine y moda\u2019. Caixa Forum (Madrid)<\/span>Jos\u00e9 F\u00e9lix Collazos<\/span><\/div>\n
Semana de Cine de Medina del Campo<\/span>Daniela Urzola<\/span><\/div>\n
Casa de M\u00e9xico en Madrid<\/span>Cristina Aparicio<\/span><\/div>\n
R\u00c9PLICAS<\/span><\/div>\n
The Batman (Matt Reeves)<\/span>Felipe Rodr\u00edguez Torres<\/span><\/div>\n
MEDIATECA: DVD\/ Blu-ray<\/span><\/div>\n
500 millas (James Goldstone)<\/span>Carlos F. Heredero<\/span><\/div>\n
Caballero sin espada (Frank Capra)<\/span>Carlos F. Heredero<\/span><\/div>\n
Matar a un ruise\u00f1or (Robert Mulligan)<\/span>Ignasi Franch<\/span><\/div>\n
La bella mentirosa (Jacques Rivette)<\/span>Carlos F. Heredero<\/span><\/div>\n
MEDIATECA: Libros<\/span><\/div>\n
Escritos fundamentales (Manny Farber)<\/span>Carlos F. Heredero<\/span><\/div>\n
Entrevistas con creadoras del cine espa\u00f1ol contempor\u00e1neo (VV. AA.)<\/span>\u00c1ndrea Mor\u00e1n<\/span><\/div>\n
Film Festivals. Cinema and Cultural Exchange (Mar Diestro-Dopido)<\/span>Juanma Ruiz<\/span><\/div>\n
AGENDA<\/span><\/div>\n
THE END: Donbass (Sergei Loznitsa)<\/span><\/div>\n
Cuando la guerra se pone en escena<\/span>\u00c0ngel Quintana<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL Las im\u00e1genes y la guerraJara Y\u00e1\u00f1ez GRAN ANGULAR: Alcarr\u00e0s (Carla Sim\u00f3n) Entrevistas Carla Sim\u00f3n, Daniela Caj\u00edas y Eva Vali\u00f1oJara Y\u00e1\u00f1ez Cr\u00edticaCarlos F. Heredero Entrevista Mar\u00eda ZamoraAndrea Mor\u00e1n Redescubrir el paisaje originarioJavier H. Estrada Documentar mundos que se pierden\u00c0ngel Quintana A GIRL AND A GUN Hora de acabar con los mitos del M\u00e9todoStephanie Zacharek DOSIER […]<\/p>\n","protected":false},"featured_media":22080,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22079","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-abril","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22079"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22080"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22079"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22079"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22079"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}