{"id":22077,"date":"2022-05-19T13:06:34","date_gmt":"2022-05-19T13:06:34","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-166-%c2%b7-mayo-%c2%b7-2022"},"modified":"2026-03-19T11:30:59","modified_gmt":"2026-03-19T11:30:59","slug":"caiman-cuadernos-de-cine-%c2%b7-no-166-%c2%b7-mayo-%c2%b7-2022","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-166-%c2%b7-mayo-%c2%b7-2022\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 166 \u00b7 Mayo \u00b7 2022"},"content":{"rendered":"
EDITORIAL<\/span><\/div>\n
Deconstruir para avanzar<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
GRAN ANGULAR: Series y ficci\u00f3n juvenil queer<\/span><\/div>\n
La identidad fluctuante de la Generaci\u00f3n Z<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Referencias generacionales<\/span><\/div>\n
Cruce de miradas<\/span>Carlos Losilla<\/span><\/div>\n
Camuflaje y visibilidad<\/span>Javier Rueda<\/span><\/div>\n
El punto de vista<\/span>Andrea Mor\u00e1n<\/span><\/div>\n
Tiempos de transici\u00f3n<\/span>Daniela Urzola<\/span><\/div>\n
Euphoria (Sam Levinson)<\/span><\/div>\n
Posibilidad de salvaci\u00f3n<\/span>Cristina Aparicio<\/span><\/div>\n
Descender por la campana de Gauss<\/span>Javier Rueda<\/span><\/div>\n
Dinamitar la serialidad<\/span>Felipe Rodr\u00edguez Torres<\/span><\/div>\n
Los diarios de Andy Warhol (Andrew Rossi)<\/span>Jaime Pena<\/span><\/div>\n
Reconstruir el archivo mediante la ficci\u00f3n<\/span>Javier Hurtado<\/span><\/div>\n
EN MOVIMIENTO<\/span><\/div>\n
Los solos de jazz literarios de Farber y Gorin<\/span>Jonathan Rosenbaum<\/span><\/div>\n
EDUCACI\u00d3N Y CINE<\/span><\/div>\n
El cine en las aulas espa\u00f1olas. Historia de un fracaso<\/span>Fernando Lara<\/span><\/div>\n
Encuentro<\/span>Asier Aranzubia, Javier H. Estrada, Luis E. Par\u00e9s, Jara Y\u00e1\u00f1ez, Santos Zunzunegui<\/span><\/div>\n
Profundidad de campo. Mis historias de cine II (Santos Zunzunegui)<\/span>Antonio Santamarina<\/span><\/div>\n
Conexiones. Un di\u00e1logo con Santos Zunzunegui (Asier Aranzubia)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
EL CANTO DE LA STILLA<\/span><\/div>\n
La vieja desnuda<\/span>Pilar Pedraza<\/span><\/div>\n
INFORMES: Festival de M\u00e1laga 2022<\/span><\/div>\n
En expansi\u00f3n<\/span>Enric Albero<\/span><\/div>\n
Manuel Summers. Del rosa\u2026 al amarillo (VV. AA.)<\/span>Daniela Urzola<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n
CORTOMETRAJES: El limpiaparabrisas (Alberto Mielgo)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
R\u00c1FAGAS<\/span><\/div>\n
Avance Cannes 2022<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Cine espa\u00f1ol en Secci\u00f3n Oficial<\/span>\u00c0ngel Quintana<\/span><\/div>\n
M\u00e1s cine espa\u00f1ol en Cannes<\/span>Elsa T\u00e9bar<\/span><\/div>\n
Festival Punto de Vista (Pamplona)<\/span>Jos\u00e9 F\u00e9lix Collazos<\/span><\/div>\n
SACO 2022 (Oviedo). Videoensayo. Proximidades y resonancias (Cristina \u00c1lvarez L\u00f3pez y Adrian Martin)<\/span>Carlos Losilla<\/span><\/div>\n
Festival de Cine Espa\u00f1ol (Nantes)<\/span>Jes\u00fas Angulo<\/span><\/div>\n
Festival de Cine y Derechos Humanos (San Sebasti\u00e1n)<\/span>Jes\u00fas Angulo<\/span><\/div>\n
Saltos de eje: el podcast<\/span>Caim\u00e1n CdC<\/span><\/div>\n
Casa de M\u00e9xico. Ciclo \u2018Inmersiones. Historia del agua\u2019.<\/span>Cristina Aparicio<\/span><\/div>\n
R\u00c9PLICAS: La \u00faltima pel\u00edcula (Pan Nalin)<\/span>Jaime Pena<\/span><\/div>\n
MEDIATECA<\/span><\/div>\n
AGENDA<\/span><\/div>\n
THE END: We Are Who We Are (Luca Guadagnino)<\/span><\/div>\n
Solo el cielo lo sabe<\/span>Javier Rueda<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL Deconstruir para avanzarJara Y\u00e1\u00f1ez GRAN ANGULAR: Series y ficci\u00f3n juvenil queer La identidad fluctuante de la Generaci\u00f3n ZEul\u00e0lia Iglesias Referencias generacionales Cruce de miradasCarlos Losilla Camuflaje y visibilidadJavier Rueda El punto de vistaAndrea Mor\u00e1n Tiempos de transici\u00f3nDaniela Urzola Euphoria (Sam Levinson) Posibilidad de salvaci\u00f3nCristina Aparicio Descender por la campana de GaussJavier Rueda Dinamitar la […]<\/p>\n","protected":false},"featured_media":22078,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22077","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-mayo","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22077"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22078"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22077"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22077"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22077"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}