{"id":22073,"date":"2022-07-01T10:16:20","date_gmt":"2022-07-01T10:16:20","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-168-%c2%b7-julio-agosto-%c2%b7-2022"},"modified":"2026-03-19T11:30:57","modified_gmt":"2026-03-19T11:30:57","slug":"caiman-cuadernos-de-cine-%c2%b7-no-168-%c2%b7-julio-agosto-%c2%b7-2022","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-168-%c2%b7-julio-agosto-%c2%b7-2022\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 168 \u00b7 Julio-Agosto \u00b7 2022"},"content":{"rendered":"
EDITORIAL \/ Duras, Champetier, Strand<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
MARGUERITE DURAS<\/span><\/div>\n
Te amo m\u00e1s all\u00e1 de ti<\/span>Philippe Azoury<\/span><\/div>\n
Marguerite Duras. Escribir la parte de sombra (Mar\u00eda Cecilia Salas Guerra)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
Le Camion (1977)<\/span>Marta Sanz<\/span><\/div>\n
Quiero hablar sobre Duras (Claire Simon)<\/span>Jaime Pena<\/span><\/div>\n
\u00bfD\u00f3nde est\u00e1 el cine de Marguerite Duras?<\/span>Elsa T\u00e9bar<\/span><\/div>\n
A GIRL AND A GUN<\/span><\/div>\n
Cuando los grandes cineastas se hacen peque\u00f1os<\/span>Stephanie Zacharek<\/span><\/div>\n
CANNES 2022<\/span><\/div>\n
Secci\u00f3n oficial. El pudor y el exhibicionismo<\/span>Carlos F. Heredero<\/span><\/div>\n
Quincena de los Realizadores. F\u00e1bulas y fantasmas<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Algunas l\u00edneas tem\u00e1ticas. Tiempo de indiferencia y malestar<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Divertimentos<\/span>Jaime Pena<\/span><\/div>\n
El reino del thriller<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Diez pel\u00edculas a destacar Jean-Michel Frodon | Roger Koza | Jonathan Romney | Marcos Uzal | Stephanie Zacharek<\/span><\/div>\n
Pacifiction (Albert Serra)<\/span>Jaime Pena<\/span><\/div>\n
Showing Up (Kelly Reichardt)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Godland (Hlynur P\u00e1lmason)<\/span>Carlos F. Heredero<\/span><\/div>\n
Esterno notte (Marco Bellocchio)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
The Natural History of Destruction (Sergei Loznitsa)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
ABRIR PUERTAS Y VENTANAS<\/span><\/div>\n
Mostrar otras pel\u00edculas para entender de otra manera<\/span>Jean-Michel Frodon<\/span><\/div>\n
HISTORIAS DEL CINE<\/span><\/div>\n
Entrevista Caroline Champetier<\/span>Violeta Kovacsics<\/span><\/div>\n
Chick Strand. Mirar de cerca<\/span>Elena Duque<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n
CORTOMETRAJES<\/span><\/div>\n
Cuerdas (Estibaliz Urresola Solaguren)<\/span>Daniela Urzola<\/span><\/div>\n
R\u00c1FAGAS<\/span><\/div>\n
Festival Internacional de Cine \u2013 Filmadrid 2022<\/span>Cristina Aparicio<\/span><\/div>\n
19\u00aa Edici\u00f3n Documenta Madrid<\/span>Javier Rueda<\/span><\/div>\n
German Film Fest (Madrid)<\/span>Daniela Urzola<\/span><\/div>\n
Muestra \u2018Ellas son cine\u2019 (Madrid)<\/span>Cristina Aparicio<\/span><\/div>\n
Tenerife Shorts 2022<\/span>Jonay Armas<\/span><\/div>\n
7\u00ba Festical de Cine LGTBI \u2013 Centro Niemeyer (Avil\u00e9s)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
19\u00ba Festival de Cine Africano (Tarifa)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
Casa de M\u00e9xico. Ciclo: \u2018Esos maravillosos a\u00f1os\u2019<\/span>Cristina Aparicio<\/span><\/div>\n
MEDIATECA: DVD\/Blu-ray y Libros<\/span><\/div>\n
AGENDA<\/span><\/div>\n
THE END<\/span><\/div>\n
D\u00edptico \u2018Aur\u00e9lia Steiner\u2019 (Marguerite Duras). Horizontes de ausencia<\/span>Lourdes Monterrubio Ib\u00e1\u00f1ez<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL \/ Duras, Champetier, StrandJara Y\u00e1\u00f1ez MARGUERITE DURAS Te amo m\u00e1s all\u00e1 de tiPhilippe Azoury Marguerite Duras. Escribir la parte de sombra (Mar\u00eda Cecilia Salas Guerra)Elsa T\u00e9bar Le Camion (1977)Marta Sanz Quiero hablar sobre Duras (Claire Simon)Jaime Pena \u00bfD\u00f3nde est\u00e1 el cine de Marguerite Duras?Elsa T\u00e9bar A GIRL AND A GUN Cuando los grandes cineastas […]<\/p>\n","protected":false},"featured_media":22074,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22073","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-julio-agosto","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22074"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22073"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22073"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22073"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}