{"id":22061,"date":"2023-02-23T11:48:17","date_gmt":"2023-02-23T11:48:17","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-175-%c2%b7-marzo-%c2%b7-2023"},"modified":"2026-03-19T11:30:36","modified_gmt":"2026-03-19T11:30:36","slug":"caiman-cuadernos-de-cine-%c2%b7-no-175-%c2%b7-marzo-%c2%b7-2023","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-175-%c2%b7-marzo-%c2%b7-2023\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 175 \u00b7 Marzo \u00b7 2023"},"content":{"rendered":"
EDITORIAL \/ Juicios morales y violencias sist\u00e9micas<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
ALICE DIOP \/ \u2018Saint Omer, el pueblo contra Laurence Coly\u2019<\/span><\/div>\n
Cr\u00edtica<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Orgullo y humanismo de las periferias<\/span>Javier H. Estrada<\/span><\/div>\n
El pueblo blanco contra Laurence Coly<\/span>Daniela Urzola<\/span><\/div>\n
Ra\u00edces negras de la Francia verdadera<\/span>Javier H. Estrada<\/span><\/div>\n
EN MOVIMIENTO<\/span><\/div>\n
No explicar nada, preguntar todo<\/span>Jonathan Rosenbaum<\/span><\/div>\n
CHANTAL AKERMAN<\/span><\/div>\n
Un hogar en Nueva York<\/span>Jaime Pena<\/span><\/div>\n
Chantal Akerman y la autorrepresentaci\u00f3n<\/span>Violeta Kovacsics<\/span><\/div>\n
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)<\/span>Carlos Losilla<\/span><\/div>\n
EL CANTO DE LA STILLA \/ El monstruo<\/span>Pilar Pedraza<\/span><\/div>\n
DISTURBIOS \/ Cyril Sch\u00e4ublin<\/span><\/div>\n
Cr\u00edtica<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Entrevista Cyril Sch\u00e4ublin<\/span>Javier Rueda<\/span><\/div>\n
Those Who Are Fine (2017)<\/span>Enric Albero<\/span><\/div>\n
CR\u00cdTICAS<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n
MIS PEQUE\u00d1OS AMORES (1974)<\/span><\/div>\n
Jean Eustache<\/span><\/div>\n
Cr\u00edtica<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Miren aqu\u00ed la sangre, pero no el dolor<\/span>Elena L\u00f3pez Riera<\/span><\/div>\n
EL CINE FUERA DEL CINE \/ Entrevista Calixto Bieito<\/span><\/div>\n
De la cinefilia al teatro<\/span>Violeta Kovacsics<\/span><\/div>\n
CARLOS SAURA<\/span><\/div>\n
Un \u2018autor\u2019 en el cine espa\u00f1ol<\/span>Jos\u00e9 Enrique Monterde<\/span><\/div>\n
Filmar la m\u00fasica<\/span>Roberto Cueto<\/span><\/div>\n
Regreso al origen: \u2018Los golfos\u2019<\/span>Jaime Pena<\/span><\/div>\n
Saura frente a Bu\u00f1uel<\/span>\u00c0ngel Quintana<\/span><\/div>\n
AGUST\u00cd VILLARONGA \/ Tras un cristal oscuramente. El cine de Agust\u00ed Villaronga<\/span>Pilar Pedraza<\/span><\/div>\n
CUADERNO DE ACTUALIDAD<\/span><\/div>\n
Sundance Film Festival 2023<\/span>Robert Koehler<\/span><\/div>\n
Rotterdam 2023<\/span>Javier H. Estrada<\/span><\/div>\n
Avance 26\u00ba Festival de M\u00e1laga<\/span>Enric Albero<\/span><\/div>\n
Avance Festival Punto de Vista 2023<\/span>Jos\u00e9 F\u00e9lix Collazos<\/span><\/div>\n
Casa M\u00e9xico (Madrid)<\/span>Cristina Aparicio<\/span><\/div>\n
AGENDA \/ Actividades \/ Exposiciones \/ Festivales \/ Ciclos<\/span><\/div>\n
MEDIATECA<\/span><\/div>\n
DVD \/ Blu-ray<\/span><\/div>\n
Belle (Mamoru Hosoda)<\/span>Daniela Urzola<\/span><\/div>\n
Recuerdos del ayer (Isao Takahata)<\/span>Jonay Armas<\/span><\/div>\n
Puedo escuchar el mar (Tomomi Mochizuki)<\/span>Jonay Armas<\/span><\/div>\n
Libros<\/span><\/div>\n
Claude Lanzmann (Alberto Sucasas)<\/span>Jaime Pena<\/span><\/div>\n
El cine espa\u00f1ol contra s\u00ed mismo (Steven Marsh)<\/span>Antonio Santamarina<\/span><\/div>\n
JUSTE UNE IMAGE<\/span><\/div>\n
Los nuevos monstruos<\/span>\u00c0ngel Quintana<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL \/ Juicios morales y violencias sist\u00e9micasJara Y\u00e1\u00f1ez ALICE DIOP \/ \u2018Saint Omer, el pueblo contra Laurence Coly\u2019 Cr\u00edticaJara Y\u00e1\u00f1ez Orgullo y humanismo de las periferiasJavier H. Estrada El pueblo blanco contra Laurence ColyDaniela Urzola Ra\u00edces negras de la Francia verdaderaJavier H. Estrada EN MOVIMIENTO No explicar nada, preguntar todoJonathan Rosenbaum CHANTAL AKERMAN Un hogar […]<\/p>\n","protected":false},"featured_media":22062,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22061","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-marzo","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22061"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22062"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22061"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22061"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22061"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}