{"id":22053,"date":"2023-09-06T11:43:52","date_gmt":"2023-09-06T11:43:52","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-179-%c2%b7-julio-agosto-%c2%b7-2023"},"modified":"2026-03-19T11:30:22","modified_gmt":"2026-03-19T11:30:22","slug":"caiman-cuadernos-de-cine-%c2%b7-no-179-%c2%b7-julio-agosto-%c2%b7-2023","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-179-%c2%b7-julio-agosto-%c2%b7-2023\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 179 \u00b7 Julio\/Agosto \u00b7 2023"},"content":{"rendered":"
EDITORIAL \/ Huellas y reflejos<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
RAINER WERNER FASSBINDER<\/span><\/div>\n
Fassbinder contempor\u00e1neo<\/span>Carlos Losilla<\/span><\/div>\n
Fassbinder y la televisi\u00f3n. Disonancias del mundo moderno<\/span>Gl\u00f2ria Salvad\u00f3 Corretger y Fran Benavente<\/span><\/div>\n
Cr\u00edtica \u2018El mundo conectado\u2019<\/span>Daniel P\u00e9rez Pami\u00e9s<\/span><\/div>\n
Cr\u00edtica \u2018Ocho horas no hacen un d\u00eda\u2019<\/span>Fernando Bernal<\/span><\/div>\n
Fassbinder personal y pol\u00edtico<\/span>Violeta Kovacsics<\/span><\/div>\n
SCANNER \/ Una historia dentro y fuera de la pantalla<\/span>Adrian Martin<\/span><\/div>\n
FESTIVAL DE CANNES<\/span><\/div>\n
Secci\u00f3n oficial. Proletarios, mujeres y cine<\/span>Carlos F. Heredero<\/span><\/div>\n
Killers of the Flower Moon (Martin Scorsese)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Fallen Leaves (Aki Kaurism\u00e4ki)<\/span>Carlos F. Heredero<\/span><\/div>\n
Antom\u00eda de una ca\u00edda (Justine Triet)<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Fallen Leaves (Aki Kaurism\u00e4ki)<\/span>Carlos F. Heredero<\/span><\/div>\n
Quinzaine des cin\u00e9astes. Exploraciones y rupturas<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
Inside the Yelloy Cocoon Shell (Thien An Pham)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
L\u00edneas tem\u00e1ticas y estil\u00edsticas. \u00bfHacia un futuro optimista?<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Cerrar los ojos (V\u00edctor Erice)<\/span>Jaime Pena<\/span><\/div>\n
Los delincuentes (Rodrigo Moreno)<\/span>Jaime Pena<\/span><\/div>\n
L\u00edneas tem\u00e1ticas y estil\u00edsticas. Sobre la sexualidad femenina<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
L\u00edneas tem\u00e1ticas y estil\u00edsticas. Las cicatrices del celuloide<\/span>Jaime Pena<\/span><\/div>\n
EL CR\u00cdTICO ACCIDENTAL \/ Discutiendo con el Sr. Rossellini<\/span>Quint\u00edn<\/span><\/div>\n
DEBATE CR\u00cdTICO \/ La cr\u00edtica frente a la \u2018cultura de la cancelaci\u00f3n\u2019<\/span><\/div>\n
La Historia y la cr\u00edtica frente al arte y la ideolog\u00eda Carlos F. Heredero, \u00c1urea Ortiz Villeta, Jaime Pena, \u00c0ngel Quintana, Daniela Urzola<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
KINUYO TANAKA<\/span><\/div>\n
Los amores de la actriz Tanaka<\/span>Jaime Pena<\/span><\/div>\n
Cr\u00edtica \u2018Pechos eternos\u2019<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Cr\u00edtica \u2018La luna se levanta<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
EL CINE EN LOS LABORATORIOS \/ Todos los caminos llevan al pitch<\/span>Andrea Mor\u00e1n<\/span><\/div>\n
EL CINE FUERA DEL CINE<\/span><\/div>\n
Entrevista Pucho (Vetusta Morla) \/ El cine como eje central<\/span>Javier H. Estrada<\/span><\/div>\n
CUADERNO DE ACTUALIDAD<\/span><\/div>\n
Filmadrid 2023<\/span>Cristina Aparicio<\/span><\/div>\n
Leer el cine<\/span>Cristina Aparicio<\/span><\/div>\n
Colecci\u00f3n privada. La escena en Super 8 y 16 mm en Espa\u00f1a<\/span>Jaime Pena<\/span><\/div>\n
German Film Fest 2023 (Madrid)<\/span>Felipe G\u00f3mez Pinto<\/span><\/div>\n
XIV Mostra de Cinema Perif\u00e9rico (S8) (A Coru\u00f1a)<\/span>Alex Pena Morado<\/span><\/div>\n
Casa M\u00e9xico (Madrid)<\/span>Cristina Aparicio<\/span><\/div>\n
Tenerife Shorts 2023<\/span>Jonay Armas<\/span><\/div>\n
Festival Internacional de Cine de Huesca 2023<\/span>Raquel Loredo<\/span><\/div>\n
AGENDA \/ Actividades \/ Exposiciones \/ Festivales \/ Ciclos<\/span><\/div>\n
MEDIATECA \/ DVD \/ Blu-ray<\/span><\/div>\n
Mad Max (George Miller) | Mad Max II: El guerrero de la carretera (George Miller) | Mad Max III: M\u00e1s all\u00e1 de la c\u00fapula del trueno (George Miller y George Ogilvie)<\/span>Ignasi Franch<\/span><\/div>\n
As bestas (Rodrigo Sorogoyen)<\/span>Carlos F. Heredero<\/span><\/div>\n
Convoy (Sam Peckinpah)<\/span>Carlos F. Heredero<\/span><\/div>\n
LIBROS<\/span><\/div>\n
Jean-Luc Godard. 60 a\u00f1os insumiso (Paulino Viota)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
El folio en blanco (Carlos Losilla, coord.)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
Hombres fatales (Elisenda Julibert)<\/span>Jaime Pena<\/span><\/div>\n
JUSTE UNE IMAGE \/ Chaquetas de cuero, metal y grasa. Scorpio Rising (Kenneth Anger)<\/span>\u00c0ngel Quintana<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL \/ Huellas y reflejosJara Y\u00e1\u00f1ez RAINER WERNER FASSBINDER Fassbinder contempor\u00e1neoCarlos Losilla Fassbinder y la televisi\u00f3n. Disonancias del mundo modernoGl\u00f2ria Salvad\u00f3 Corretger y Fran Benavente Cr\u00edtica \u2018El mundo conectado\u2019Daniel P\u00e9rez Pami\u00e9s Cr\u00edtica \u2018Ocho horas no hacen un d\u00eda\u2019Fernando Bernal Fassbinder personal y pol\u00edticoVioleta Kovacsics SCANNER \/ Una historia dentro y fuera de la pantallaAdrian Martin […]<\/p>\n","protected":false},"featured_media":22054,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22053","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-julio-agosto","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22054"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22053"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22053"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22053"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}