{"id":22021,"date":"2025-02-08T11:18:40","date_gmt":"2025-02-08T11:18:40","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-196-%c2%b7-febrero-%c2%b7-2025"},"modified":"2026-03-19T11:29:29","modified_gmt":"2026-03-19T11:29:29","slug":"caiman-cuadernos-de-cine-%c2%b7-no-196-%c2%b7-febrero-%c2%b7-2025","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/caiman-cuadernos-de-cine-%c2%b7-no-196-%c2%b7-febrero-%c2%b7-2025\/","title":{"rendered":"Caim\u00e1n Cuadernos de Cine \u00b7 n\u00ba 196 \u00b7 Febrero \u00b7 2025"},"content":{"rendered":"
LO MEJOR DE LA CULTURA EN ESPA\u00d1A 2024 \/ Caim\u00e1n CdC en el \u00e1gora cultural de nuestro tiempo<\/span>Carlos F. Heredero<\/span><\/div>\n
EDITORIAL \/ Lynch, IA y disidencia.<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
IN MEMORIAM \/ David Lynch: El campo unificado<\/span>Daniel P\u00e9rez Pamies<\/span><\/div>\n
INTELIGENCIA ARTIFICIAL Y CINE<\/span><\/div>\n
Algoritmos con memoria<\/span><\/div>\n
Anna Giralt Gris<\/span><\/div>\n
Realidad o ficci\u00f3n<\/span>\u00c1urea Ortiz Villeta<\/span><\/div>\n
Contra el tiempo, contra la Historia<\/span>Ignasi Franch<\/span><\/div>\n
Sobre la nueva restauraci\u00f3n<\/span>Jonay Armas<\/span><\/div>\n
Cine y atracciones<\/span>Carolina Mart\u00ednez y Alan Salvad\u00f3<\/span><\/div>\n
Cr\u00edtica de \u2018Cyborg Generation\u2019 (Miguel Morillo Vega)<\/span>Daniela Urzola<\/span><\/div>\n
Fallos en la Matrix<\/span>Daniela Urzola<\/span><\/div>\n
Entrevista Eur\u00eddice Caba\u00f1es<\/span>Fernando Bernal<\/span><\/div>\n
EN MOVIMIENTO \/ La metaf\u00edsica de la evaluaci\u00f3n<\/span>Jonathan Rosenbaum<\/span><\/div>\n
VERMIGLIO<\/span><\/div>\n
Maura Delpero \/ Entrevista. Javier Rueda<\/span><\/div>\n
Cr\u00edtica.<\/span>Jara Y\u00e1\u00f1ez<\/span><\/div>\n
EL CANTO DE LA STILLA \/ C\u00e1maras l\u00facidas<\/span>Pilar Pedraza<\/span><\/div>\n
MICHAEL POWELL & EMERIC PRESSBURGER<\/span><\/div>\n
Universos en expansi\u00f3n<\/span>Carlos Losilla<\/span><\/div>\n
Cr\u00edtica de \u2018Made in England\u2019 (David Hinton).<\/span>Jaime Pena<\/span><\/div>\n
El color del deseo femenino<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Genealog\u00eda de un narciso<\/span>Daniela Urzola<\/span><\/div>\n
CUADERNO CR\u00cdTICO<\/span><\/div>\n
Memorias de un caracol (Adam Elliot)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Zorro y liebre salvan el bosque (Mascha Halberstad)<\/span>Felipe G\u00f3mez Pinto<\/span><\/div>\n
Pepe (Nelson Carlo de los Santos Arias)<\/span>Javier Rueda<\/span><\/div>\n
Sex (Dag Johan Haugerud)<\/span>Colectivo Termita<\/span><\/div>\n
El caso Abel Trem (G\u00e1bor Reisz)<\/span>Jonay Armas<\/span><\/div>\n
Babygirl (Halina Reijn)<\/span>Eul\u00e0lia Iglesias<\/span><\/div>\n
Memorias de un cuerpo que arde (Antonella Sudasassi Furniss)<\/span>Elena del Olmo Andrade<\/span><\/div>\n
A\u00fan estoy aqu\u00ed (Walter Salles)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
La marsellesa de los borrachos (Pablo Gil Rituerto)<\/span>Fernando Bernal<\/span><\/div>\n
C\u00f3mo hacerse millonario antes de que muera la abuela (Pat Boonnitipat)<\/span>Clara Tejerina<\/span><\/div>\n
Lim\u00f3nov (Kirill Serebrennikov).<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Salvajes (Claude Barras)<\/span>\u00c0ngel Quintana<\/span><\/div>\n
Mar\u00eda Callas (Pablo Larra\u00edn)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
Objeto de estudio (Ra\u00fal Alaejos)<\/span>Jonay Armas<\/span><\/div>\n
La red fantasma (Jonathan Millet)<\/span>Jos\u00e9 F\u00e9lix Collazos<\/span><\/div>\n
El desaf\u00edo de Sof\u00eda (Lillah Halla)<\/span>Fernando Bernal<\/span><\/div>\n
A Different Man (Aaron Schimberg).<\/span>Elena del Olmo Andrade<\/span><\/div>\n
Siete d\u00edas en mayo (Rosana Pastor).<\/span>Cristina Aparicio<\/span><\/div>\n
Equipaje de mano (Jaume Collet-Serra).<\/span>Jaime Pena<\/span><\/div>\n
CUADRO CR\u00cdTICO<\/span><\/div>\n
SHINJI S?MAI \/ Paisajes inici\u00e1ticos<\/span>Javier H. Estrada<\/span><\/div>\n
CUADERNO DE ACTUALIDAD<\/span><\/div>\n
Exposici\u00f3n \u2018Max Ernst. Surrealismo, Arte y Cine\u2019 \u2013 CBA (Madrid)<\/span>Elsa T\u00e9bar<\/span><\/div>\n
Avance Punto de Vista 2025 \u2013 Festival Internacional de Cine Documental de Navarra<\/span>Jos\u00e9 F\u00e9lix Collazos<\/span><\/div>\n
Casa de M\u00e9xico (Madrid)<\/span>Cristina Aparicio<\/span><\/div>\n
AGENDA \/ Actividades \/ Exposiciones \/ Festivales \/ Ciclos<\/span><\/div>\n
MEDIATECA \/ DVD \/ Blu-ray \/ Pack Universo Aki Kaurism\u00e4ki<\/span>Jaime Pena<\/span><\/div>\n
Libros<\/span><\/div>\n
Jacques Rivette (Violeta Kovacsics).<\/span>Jaime Pena<\/span><\/div>\n
Vida y maravillas (Manuel Guti\u00e9rrez Arag\u00f3n)<\/span>Carlos F. Heredero<\/span><\/div>\n
El estanque vertical (Juan Antonio Vigar).<\/span>Esteve Riambau<\/span><\/div>\n
JUSTE UNE IMAGE<\/span><\/div>\n
Las im\u00e1genes que faltan<\/span>Gala Hern\u00e1ndez L\u00f3pez<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

LO MEJOR DE LA CULTURA EN ESPA\u00d1A 2024 \/ Caim\u00e1n CdC en el \u00e1gora cultural de nuestro tiempoCarlos F. Heredero EDITORIAL \/ Lynch, IA y disidencia.Jara Y\u00e1\u00f1ez IN MEMORIAM \/ David Lynch: El campo unificadoDaniel P\u00e9rez Pamies INTELIGENCIA ARTIFICIAL Y CINE Algoritmos con memoria Anna Giralt Gris Realidad o ficci\u00f3n\u00c1urea Ortiz Villeta Contra el tiempo, […]<\/p>\n","protected":false},"featured_media":22022,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[228],"class_list":{"0":"post-22021","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-caiman-cuadernos-de-cine","7":"product_tag-caiman-cuadernos-de-cine","8":"pa_temporada-febrero","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/22021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=22021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/22022"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=22021"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=22021"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=22021"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=22021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}