{"id":20906,"date":"2026-03-06T07:59:54","date_gmt":"2026-03-06T07:59:54","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/ade-teatro-%c2%b7-no-111-%c2%b7-julio-septiembre-%c2%b7-2006"},"modified":"2026-03-19T11:24:14","modified_gmt":"2026-03-19T11:24:14","slug":"ade-teatro-%c2%b7-no-111-%c2%b7-julio-septiembre-%c2%b7-2006","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/ade-teatro-%c2%b7-no-111-%c2%b7-julio-septiembre-%c2%b7-2006\/","title":{"rendered":"ADE-Teatro \u00b7 n\u00ba 111 \u00b7 Julio \/ Septiembre \u00b7 2006"},"content":{"rendered":"
EDITORIALES<\/span><\/div>\n
"Ma\u00f1ana" de Luca Ronconi en Tur\u00edn<\/span>Ir\u00e8ne Sadowska Guillon<\/span><\/div>\n
HAROLD PINTER Y LA \u00c9TICA DE LO POSIBLE<\/span><\/div>\n
Arte, verdad y pol\u00edtica<\/span>Harold Pinter<\/span><\/div>\n
Cronolog\u00eda teatral b\u00e1sica de Harold Pinter<\/span>Manuel F. Vieites<\/span><\/div>\n
Harold Pinter: Teatro, lenguaje, pol\u00edtica<\/span>Mireia Aragay<\/span><\/div>\n
Pinter y lo real: \u00bfdeconstrucci\u00f3n o reconstrucci\u00f3n?<\/span>Manuel F. Vieites<\/span><\/div>\n
Alteridad y alienaci\u00f3n sexual en la dramaturgia de Harold Pinter<\/span>Ignacio Ramos Gay<\/span><\/div>\n
(Intra)historia, actualidad y vigencia de "El portero" de Harold Pinter<\/span>Antonio Ballesteros<\/span><\/div>\n
La atm\u00f3sfera del "Montacargas"<\/span>Enrique Herreras<\/span><\/div>\n
\u00bfTierra de nadie?: Harold Pinter en la escena brit\u00e1nica contempor\u00e1nea<\/span>Lourdes Orozco<\/span><\/div>\n
Un congreso para el futuro<\/span>Juan Antonio Hormig\u00f3n<\/span><\/div>\n
El teatro de Pinter en Espa\u00f1a<\/span>Marcos Ordo\u00f1ez<\/span><\/div>\n
Pinter<\/span>Alfonso Sastre<\/span><\/div>\n
Recordando a Pinter<\/span>Jer\u00f3nimo L\u00f3pez Mozo<\/span><\/div>\n
Sobre Pinter: Notas de un traductor<\/span>Juan Vicente Mart\u00ednez Luciano<\/span><\/div>\n
Mi acercamiento a "Vellos tempos" o la peque\u00f1a historia de un fracaso<\/span>X\u00falio Lago<\/span><\/div>\n
La familia feroz de "Retorno al hogar"<\/span>Mar\u00eda Ruiz<\/span><\/div>\n
Pinter y el Ciclo Autor. Recuerdos y olvidos de un pasado reciente<\/span>Vicente Le\u00f3n<\/span><\/div>\n
Pinter y la comedia de la amenaza. "El camarero ausente"<\/span>Denis Rafter<\/span><\/div>\n
ENTREVISTA<\/span><\/div>\n
Martin Crimp: "Me interesan los di\u00e1logos, las ideas que contienen y c\u00f3mo se les han de revelar al p\u00fablico"<\/span>Adolfo Sim\u00f3n<\/span><\/div>\n
Formaci\u00f3n y pr\u00e1ctica profesional<\/span>Laura Zubiarrain<\/span><\/div>\n
TEXTO TEATRAL<\/span><\/div>\n
Apor\u00edas de la maternidad<\/span>Manuel F. Vieites<\/span><\/div>\n
Nota introductoria<\/span>Arantxa Iturbe y Agurtzane Intxaurraga<\/span><\/div>\n
\u00a1Madre m\u00eda!<\/span>Arantxa Iturbe y Agurtzane Intxaurraga<\/span><\/div>\n
SAMUEL BECKETT, CIEN A\u00d1OS<\/span><\/div>\n
Beckett dramaturgo: La penuria y la pl\u00e9tora<\/span>Jos\u00e9 Sanchis Sinisterra<\/span><\/div>\n
Apuntes biogr\u00e1ficos sobre Samuel Beckett<\/span>Inmaculada de Juan<\/span><\/div>\n
\u00bfEs Beckett todav\u00eda nuestro contempor\u00e1neo?<\/span>Laura Cerrato<\/span><\/div>\n
Beckett, \u00bfpesimista?<\/span>Peter Brook<\/span><\/div>\n
Medio siglo "Esperando a Godot"<\/span>Enrique Herreras<\/span><\/div>\n
El mundo-circo de Samuel Beckett<\/span>Denis Rafter<\/span><\/div>\n
Teatro y control de calidad<\/span>Alberto Fern\u00e1ndez Torres<\/span><\/div>\n
Beckett en la escena espa\u00f1ola: Teatro y pol\u00edtica<\/span>Antonia Rodr\u00edguez Gago<\/span><\/div>\n
Algunas citas con Godot<\/span>Jos\u00e9 Gabriel L\u00f3pez Antu\u00f1ano<\/span><\/div>\n
El "Primer Amor" de Samuel Beckett<\/span>Fernando Griffell<\/span><\/div>\n
Buscando a Beckett<\/span>Agapito Mart\u00ednez Paramio<\/span><\/div>\n
Sobre "Esperando a Godot"<\/span>Llu\u00eds Pasqual<\/span><\/div>\n
La teatralidad intuitiva -Atados a Godot<\/span>Jaroslaw Bielski<\/span><\/div>\n
NOTAS DE DIRECCI\u00d3N<\/span><\/div>\n
Releer a Kafka: "Informe para una academia"<\/span>Jos\u00e9 Luis G\u00f3mez<\/span><\/div>\n
La familia, el cine, el teatro: "Final de pel\u00edcula"<\/span>Gustavo Pernas<\/span><\/div>\n
"La Maquinahamlet" y "Medea material"… Dos obras de Heiner M\u00fcller<\/span>Vicente Le\u00f3n<\/span><\/div>\n
Mercado y creaci\u00f3n esc\u00e9nica contempor\u00e1nea<\/span>Guillermo Heras<\/span><\/div>\n
Un estreno absoluto: "El laberinto", de Arrabal<\/span>Severiano Garc\u00eda<\/span><\/div>\n
"Sodom", una \u00f3pera contempor\u00e1nea contra la homofobia<\/span>Ana Contreras<\/span><\/div>\n
LIBROS<\/span><\/div>\n
AGENDA<\/span><\/div>\n
NOTICIAS ADE<\/span><\/div>\n
NOTICIAS ASOCIADOS<\/span><\/div>\n
PREMIO EUROPA PARA EL TEATRO<\/span><\/div>\n
Harold Pinter, X Premio Europa para el Teatro<\/span>Manuel F. Vieites<\/span><\/div>\n
Pinter en Tur\u00edn<\/span>Juan Antonio Hormig\u00f3n<\/span><\/div>\n
Pinter, Nadj, Korsunovas: Del compromiso pol\u00edtico al discurso postmoderno<\/span>Carlos Rodr\u00edguez<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIALES "Ma\u00f1ana" de Luca Ronconi en Tur\u00ednIr\u00e8ne Sadowska Guillon HAROLD PINTER Y LA \u00c9TICA DE LO POSIBLE Arte, verdad y pol\u00edticaHarold Pinter Cronolog\u00eda teatral b\u00e1sica de Harold PinterManuel F. Vieites Harold Pinter: Teatro, lenguaje, pol\u00edticaMireia Aragay Pinter y lo real: \u00bfdeconstrucci\u00f3n o reconstrucci\u00f3n?Manuel F. Vieites Alteridad y alienaci\u00f3n sexual en la dramaturgia de Harold PinterIgnacio […]<\/p>\n","protected":false},"featured_media":20907,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[37],"product_tag":[175],"class_list":{"0":"post-20906","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-ade-teatro","7":"product_tag-ade-teatro","8":"pa_temporada-julio-septiembre","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/20906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=20906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/20907"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=20906"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=20906"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=20906"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=20906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}