{"id":20834,"date":"2026-03-06T07:59:38","date_gmt":"2026-03-06T07:59:38","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/ade-teatro-%c2%b7-no-147-%c2%b7-octubre-%c2%b7-2013"},"modified":"2026-03-19T11:24:23","modified_gmt":"2026-03-19T11:24:23","slug":"ade-teatro-%c2%b7-no-147-%c2%b7-octubre-%c2%b7-2013","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/ade-teatro-%c2%b7-no-147-%c2%b7-octubre-%c2%b7-2013\/","title":{"rendered":"ADE-Teatro \u00b7 n\u00ba 147 \u00b7 Octubre \u00b7 2013"},"content":{"rendered":"
EDITORIALES<\/span><\/div>\n
Diplomacia contra la agresi\u00f3n<\/span><\/div>\n
Llamamiento a la precauci\u00f3n desde Rusia<\/span>Vladimir Putin<\/span><\/div>\n
La diplomacia de ca\u00f1onero<\/span>Smedley Butler<\/span><\/div>\n
De la desposesi\u00f3n<\/span>MF Vieites<\/span><\/div>\n
VERDI Y WAGNER EN LA ESCENA<\/span><\/div>\n
Verdi y Wagner, dos vidas paralelas para una misma revoluci\u00f3n<\/span>Ignacio Garc\u00eda<\/span><\/div>\n
Giuseppe Verdi, Richard Wagner y la escena l\u00edrica<\/span>Juan P. Arregui<\/span><\/div>\n
Wagner y el sue\u00f1o de la obra art\u00edstica total<\/span>Arnold Hauser<\/span><\/div>\n
Richard Wagner y la literatura cl\u00e1sica espa\u00f1ola<\/span>Curt von Westernhagen<\/span><\/div>\n
C\u00f3mo trat\u00f3 Verdi los temas espa\u00f1oles<\/span>Santiago Mart\u00edn Berm\u00fadez<\/span><\/div>\n
El wagnerismo en Espa\u00f1a<\/span>Ren\u00e9 Dumesnil<\/span><\/div>\n
Los ballets en las \u00f3peras de Verdi<\/span>Laura Hormig\u00f3n<\/span><\/div>\n
Un espa\u00f1ol wagneriano en Par\u00eds: Rogelio de Egusquiza y Barrena<\/span>Patricia Carmena de la Cruz<\/span><\/div>\n
Sobre \u201cLohengrin\u201d (1981)<\/span>Giorgio Strehler<\/span><\/div>\n
Notas sobre \u201cMacbeth\u201d, de Verdi (1975)<\/span>Giorgio Strehler<\/span><\/div>\n
Patrice Ch\u00e9reau y su po\u00e9tica esc\u00e9nica en \u00f3pera: ante \u201cEl anillo de los Nibelungos\u201d<\/span>Ra\u00fal Arbeloa<\/span><\/div>\n
Verdi, director de escena y dramaturgo<\/span>Pau Monterde<\/span><\/div>\n
Calor y desorden. Apuntes esc\u00e9nicos sobre el melodrama verdiano<\/span>Emilio Sagi<\/span><\/div>\n
Wagner y Verdi<\/span>Gustavo Tambascio<\/span><\/div>\n
A prop\u00f3sito de C(h)oeurs<\/span>Ra\u00fal Arbeloa<\/span><\/div>\n
Tutto Verdi<\/span>Paul Laka<\/span><\/div>\n
Verdi y Wagner en Venecia: \u201cLa novela de la \u00f3pera\u201d de Franz Werfel<\/span>Carlos Rodr\u00edguez<\/span><\/div>\n
Breve discograf\u00eda y DVD de Verdi y Wagner<\/span>Laura Hormig\u00f3n<\/span><\/div>\n
TEXTOS TEATRALES: DOS PARODIAS OPER\u00cdSTICAS<\/span><\/div>\n
Dos parodias de \u201cLohengrin\u201d y \u201cLa Traviata\u201d<\/span>Juan Antonio Hormig\u00f3n<\/span><\/div>\n
Salvador M\u00aa Gran\u00e9s: de \u201cLohengrin\u201d a \u201cLorenz\u00edn\u201d<\/span>V\u00edctor Manuel Pel\u00e1ez P\u00e9rez<\/span><\/div>\n
Luis Arnedo, un compositor de parodias<\/span>Pablo Beltr\u00e1n<\/span><\/div>\n
Lorenz\u00edn o El camarero del cine<\/span>Salvador M\u00aa Gran\u00e9s<\/span><\/div>\n
Traviata o La morena de las clavellinas<\/span>Jos\u00e9 Tamayo<\/span><\/div>\n
NOTAS DE DIRECCI\u00d3N E INTERPRETACI\u00d3N<\/span><\/div>\n
\u201cEl ego\u00edsta\u201d: indagaci\u00f3n de una mente oscura<\/span>Juan Antonio Hormig\u00f3n<\/span><\/div>\n
Notas de interpretaci\u00f3n sobre Sidney, \u201cEl Ego\u00edsta\u201d<\/span>Alex Ruiz Pastor<\/span><\/div>\n
\u201cEn la Frontera\u201d \u2013 Notas de direcci\u00f3n de Arizona<\/span>Ignacio Garc\u00eda<\/span><\/div>\n
\u2026 Sobre "Aires de zarzuela",<\/span>Luis Olmos<\/span><\/div>\n
LIBROS<\/span><\/div>\n
NOTICIAS DE LA ADE. Bertolt Brecht en el CDN F.M.M.<\/span><\/div>\n
NOTICIAS ASOCIADOS<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIALES Diplomacia contra la agresi\u00f3n Llamamiento a la precauci\u00f3n desde RusiaVladimir Putin La diplomacia de ca\u00f1oneroSmedley Butler De la desposesi\u00f3nMF Vieites VERDI Y WAGNER EN LA ESCENA Verdi y Wagner, dos vidas paralelas para una misma revoluci\u00f3nIgnacio Garc\u00eda Giuseppe Verdi, Richard Wagner y la escena l\u00edricaJuan P. Arregui Wagner y el sue\u00f1o de la obra […]<\/p>\n","protected":false},"featured_media":20835,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[37],"product_tag":[175],"class_list":{"0":"post-20834","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-ade-teatro","7":"product_tag-ade-teatro","8":"pa_temporada-octubre","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/20834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=20834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/20835"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=20834"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=20834"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=20834"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=20834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}