{"id":20814,"date":"2026-03-06T07:59:38","date_gmt":"2026-03-06T07:59:38","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/ade-teatro-%c2%b7-no-157-%c2%b7-octubre-%c2%b7-2015"},"modified":"2026-03-19T11:24:24","modified_gmt":"2026-03-19T11:24:24","slug":"ade-teatro-%c2%b7-no-157-%c2%b7-octubre-%c2%b7-2015","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/ade-teatro-%c2%b7-no-157-%c2%b7-octubre-%c2%b7-2015\/","title":{"rendered":"ADE-Teatro \u00b7 n\u00ba 157 \u00b7 Octubre \u00b7 2015"},"content":{"rendered":"
EDITORIALES<\/span><\/div>\n
El Teatro de la Comedia<\/span>Juan Antonio Hormig\u00f3n<\/span><\/div>\n
La crisis en Puerto Rico<\/span>Roberto Ramos-Perea<\/span><\/div>\n
\u00bfQu\u00e9 quedar\u00e1 de Siria?<\/span>Juan Antonio Hormig\u00f3n<\/span><\/div>\n
\u201cLa invasi\u00f3n de los imb\u00e9ciles\u201d en las redes sociales<\/span>Jos\u00e9 \u00c1ngel Leyva<\/span><\/div>\n
ORSON WELLES Y LA TEATRALIDAD<\/span><\/div>\n
La medida de Orson<\/span>Ignacio Garc\u00eda May<\/span><\/div>\n
El teatro de Orson Welles<\/span>C\u00e9sar de Vicente Hernando<\/span><\/div>\n
El director de escena en el teatro actual (1938)<\/span>Orson Welles<\/span><\/div>\n
Orson Welles: Huellas de teatro<\/span>Javier Maqua<\/span><\/div>\n
El teatro de la imaginaci\u00f3n: las producciones de radioteatro de Welles<\/span>C\u00e9sar de Vicente<\/span><\/div>\n
Orson Welles y Shakespeare: Historia de una pasi\u00f3n<\/span>Antonio Ballesteros Gonz\u00e1lez<\/span><\/div>\n
Orson Welles y el expresionismo<\/span>Juan P. Arregui<\/span><\/div>\n
El papel del actor en la sociedad<\/span>Orson Welles<\/span><\/div>\n
Brecht, Laughton… y Orson Welles<\/span>Juan Antonio Hormig\u00f3n<\/span><\/div>\n
\u201cThe lady in the ice\u201d. Un ballet de Orson Welles y Roland Petit<\/span>Laura Hormig\u00f3n<\/span><\/div>\n
Orson Welles: Amor a Espa\u00f1a. Pasi\u00f3n por Andaluc\u00eda<\/span>Rafael Utrera Mac\u00edas<\/span><\/div>\n
El gui\u00f3n de Don Quijote<\/span>Juan Cobos<\/span><\/div>\n
Orson Welles en los escenarios. Teatrograf\u00eda<\/span>Carlos Rodr\u00edguez Alonso<\/span><\/div>\n
TEXTO TEATRAL<\/span><\/div>\n
Luces rojas<\/span>Ignacio Garc\u00eda May<\/span><\/div>\n
UMMO, un misterio<\/span>Ignacio Garc\u00eda May<\/span><\/div>\n
ORSON WELLES Y LO POL\u00cdTICO<\/span><\/div>\n
Orson Welles y su pasi\u00f3n pol\u00edtica<\/span>Juan Antonio Hormig\u00f3n<\/span><\/div>\n
El liderazgo estadounidense en 1944<\/span>Orson Welles<\/span><\/div>\n
G. I. Bill of Rights<\/span>Orson Welles<\/span><\/div>\n
Una carta a Franklin Delano Roosevelt<\/span>Orson Welles<\/span><\/div>\n
Ahora o nunca<\/span>Orson Welles<\/span><\/div>\n
Declaraci\u00f3n jurada de Isaac Woodard<\/span>Orson Welles<\/span><\/div>\n
Ser libre de nacimiento<\/span>Orson Welles<\/span><\/div>\n
Orson Welles: \u201cEl trabajo m\u00e1s importante en la vida es ense\u00f1ar\u201d<\/span>Alfonso Tealdo<\/span><\/div>\n
Bibliograf\u00eda b\u00e1sica sobre Orson Welles<\/span><\/div>\n
LIBROS<\/span><\/div>\n
AGENDA<\/span><\/div>\n
NOTICIAS ASOCIADOS<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Orson Welles y la teatralidad<\/p>\n","protected":false},"featured_media":20815,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[37],"product_tag":[175],"class_list":{"0":"post-20814","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-ade-teatro","7":"product_tag-ade-teatro","8":"pa_temporada-octubre","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/20814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=20814"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/20815"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=20814"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=20814"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=20814"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=20814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}