{"id":20738,"date":"2026-03-06T07:59:23","date_gmt":"2026-03-06T07:59:23","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/ade-teatro-%c2%b7-no-196-%c2%b7-abril-%c2%b7-2024"},"modified":"2026-03-19T11:24:33","modified_gmt":"2026-03-19T11:24:33","slug":"ade-teatro-%c2%b7-no-196-%c2%b7-abril-%c2%b7-2024","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/ade-teatro-%c2%b7-no-196-%c2%b7-abril-%c2%b7-2024\/","title":{"rendered":"ADE-Teatro \u00b7 n\u00ba 196 \u00b7 Abril \u00b7 2024"},"content":{"rendered":"
EDITORIALES<\/span><\/div>\n
No es el mecenazgo\u2026 es la Ley<\/span>Manuel F. Vieites<\/span><\/div>\n
Mensaje del D\u00eda Mundial del Teatro 2024: \u00abEl arte es paz\u00bb<\/span>Jon Fosse<\/span><\/div>\n
GUILLERMO HERAS, LA PASI\u00d3N TEATRAL<\/span><\/div>\n
Guillermo, amigo, maestro\u2026<\/span>Helena Pimenta<\/span><\/div>\n
Gracias, Guillermo<\/span>Paz Santa Cecilia<\/span><\/div>\n
Una deuda insaldable<\/span>Juan Mayorga<\/span><\/div>\n
T\u00e1bano: escuela \u00e9tica y profesional de Guillermo Heras<\/span>Cristina Santolaria Solano<\/span><\/div>\n
El padre de la danza contempor\u00e1nea espa\u00f1ola<\/span>Ros\u00e1ngeles Valls<\/span><\/div>\n
Guillermo Heras y la Muestra de Teatro Espa\u00f1ol de Autores Contempor\u00e1neos<\/span>Eduardo P\u00e9rez-Rasilla<\/span><\/div>\n
Palabras a Guillermo<\/span>Natalia \u00c1lvarez Sim\u00f3<\/span><\/div>\n
Sobre el pensamiento teatral de Guillermo Heras. Hacia un teatro mestizo<\/span>Alberto Fern\u00e1ndez Torres<\/span><\/div>\n
Una figura excepcional<\/span>Ernesto Caballero<\/span><\/div>\n
El Astillero de Guillermo<\/span>Luis Miguel Gonz\u00e1lez Cruz<\/span><\/div>\n
Cuando Guillermo ayud\u00f3 a J\u00e1cara a contar \u201cCalderilla\u201d. Guillermo Heras, director de escena y siempre uno m\u00e1s<\/span>Juan Luis Mira<\/span><\/div>\n
La vocaci\u00f3n iberoamericana de Guillermo Heras<\/span>Carmen M\u00e1rquez Montes<\/span><\/div>\n
Un maestro espa\u00f1ol rendido a los pies del teatro argentino<\/span>Carlos Pacheco.<\/span><\/div>\n
Querido Guille, te extra\u00f1ar\u00e9 siempre<\/span>Juan Meli\u00e1<\/span><\/div>\n
Un gran hombre de teatro, cercano<\/span>Adolfo Sim\u00f3n<\/span><\/div>\n
Carta a Guillermo Heras<\/span>Jana Pacheco<\/span><\/div>\n
Guillermo<\/span>Jos\u00e9 Ram\u00f3n Fern\u00e1ndez<\/span><\/div>\n
TEXTO TEATRAL<\/span><\/div>\n
\u201cEl infierno port\u00e1til\u201d, de Jos\u00e9 Manuel Corredoira Vi\u00f1uela. Erudici\u00f3n, parodia y diversi\u00f3n teatral<\/span>Eduardo P\u00e9rez-Rasilla<\/span><\/div>\n
El infierno port\u00e1til<\/span>Jos\u00e9 Manuel Corredoira Vi\u00f1uela<\/span><\/div>\n
NOTAS DE DIRECCI\u00d3N<\/span><\/div>\n
\u201cMacbeth\u201d, nuestro encuentro con Shakespeare<\/span>Etelvino V\u00e1zquez.<\/span><\/div>\n
Notas a la puesta en escena de \u201cNuestra ciudad\u201d<\/span>Cesar Oliva.<\/span><\/div>\n
Un homenaje a la Mancha o el austero verismo manchego. Notas de direcci\u00f3n de \u201cLa rosa del azafr\u00e1n\u201d<\/span>Ignacio Garc\u00eda.<\/span><\/div>\n
INTERNACIONAL<\/span><\/div>\n
Panor\u00e1mica del teatro rumano y moldavo<\/span>Jos\u00e9 Gabriel L\u00f3pez Antu\u00f1ano.<\/span><\/div>\n
Teatro y atemporalidad. En el vig\u00e9simo aniversario de la compa\u00f1\u00eda Zar. M\u00e1s all\u00e1 del pasado y del presente.<\/span>Octavian Saiu.<\/span><\/div>\n
La cultura argentina ardiendo en las calles<\/span>Ana Seoane.<\/span><\/div>\n
FESTIVALES\/Festival LEB. La vanguardia esc\u00e9nica a las puertas del Pirineo<\/span>Asier Andueza<\/span><\/div>\n
CR\u00d3NICA\/Academia Galega de Teatro: Estabilidad y acci\u00f3n teatral<\/span>Francisco Oti R\u00edos.<\/span><\/div>\n
ART\u00cdCULO\/La evoluci\u00f3n teatral en la evoluci\u00f3n social<\/span>Jorge Urrutia<\/span><\/div>\n
LIBROS<\/span><\/div>\n
NOTICIAS DE ASOCIADOS<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIALES No es el mecenazgo\u2026 es la LeyManuel F. Vieites Mensaje del D\u00eda Mundial del Teatro 2024: \u00abEl arte es paz\u00bbJon Fosse GUILLERMO HERAS, LA PASI\u00d3N TEATRAL Guillermo, amigo, maestro\u2026Helena Pimenta Gracias, GuillermoPaz Santa Cecilia Una deuda insaldableJuan Mayorga T\u00e1bano: escuela \u00e9tica y profesional de Guillermo HerasCristina Santolaria Solano El padre de la danza contempor\u00e1nea […]<\/p>\n","protected":false},"featured_media":20739,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[37],"product_tag":[175],"class_list":{"0":"post-20738","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-ade-teatro","7":"product_tag-ade-teatro","8":"pa_temporada-abril","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/20738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=20738"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/20739"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=20738"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=20738"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=20738"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=20738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}