{"id":20728,"date":"2026-03-06T07:59:23","date_gmt":"2026-03-06T07:59:23","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/ade-teatro-%c2%b7-no-201-%c2%b7-julio-%c2%b7-2025"},"modified":"2026-03-19T11:24:34","modified_gmt":"2026-03-19T11:24:34","slug":"ade-teatro-%c2%b7-no-201-%c2%b7-julio-%c2%b7-2025","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/ade-teatro-%c2%b7-no-201-%c2%b7-julio-%c2%b7-2025\/","title":{"rendered":"ADE-Teatro \u00b7 n\u00ba 201 \u00b7 Julio \u00b7 2025"},"content":{"rendered":"
EDITORIALES<\/span><\/div>\n
Diguem NO!<\/span>Manuel F. Vieites<\/span><\/div>\n
Censura y cancelaci\u00f3n: es igual, pero no es lo mismo<\/span>Alberto Fern\u00e1ndez Torres<\/span><\/div>\n
La investigaci\u00f3n esc\u00e9nica<\/span>Jos\u00e9 Gabriel L\u00f3pez Antu\u00f1ano<\/span><\/div>\n
La palabra del Papa<\/span>Jorge Urrutia.<\/span><\/div>\n
38 PREMIOS ADE<\/span><\/div>\n
38\u00aa edici\u00f3n de los Premios ADE. A veces, la memoria s\u00ed es lo que era<\/span>Alberto Fern\u00e1ndez Torres.<\/span><\/div>\n
Al recibir la Medalla de la ADE<\/span>Luis de Tavira.<\/span><\/div>\n
Eduardo Vasco, Premio ADE de Direcci\u00f3n 2024, entrevista de Jos\u00e9 Gabriel L\u00f3pez Antu\u00f1ano.<\/span><\/div>\n
Pabell\u00f3n 6, Premio \u201cAdolfo Marsillach\u201d a una labor teatral significativa 2024, entrevista de Rosa Briones.<\/span><\/div>\n
Jos\u00e9 Carlos Plaza, Premio de Honor \u201cJuan Antonio Hormig\u00f3n\u201d 2024, entrevista de Jos\u00e9 Gabriel L\u00f3pez Antu\u00f1ano.<\/span><\/div>\n
Tony Casla, Premio \u201cJos\u00e9 Luis Alonso\u201d para directores\/as emergentes 2024, entrevista de Rosa Briones.<\/span><\/div>\n
M\u00f3nica Boromello, Premio \u201cJoseph Caud\u00ed\u201d de Escenograf\u00eda 2024, entrevista de Alicia- E. Blas Brunel.<\/span><\/div>\n
Rosa Garc\u00eda And\u00fajar, Premio \u201cAdri\u00e0 Gual\u201d de Figurinismo 2024, entrevista de Alicia- E. Blas Brunel.<\/span><\/div>\n
Jos\u00e9 Gabriel L\u00f3pez Antu\u00f1ano, Premio \u201cLeandro Fern\u00e1ndez de Morat\u00edn\u201d para estudios teatrales 2024, entrevista de Carlos Rodr\u00edguez Alonso.<\/span><\/div>\n
LA DIRECCI\u00d3N DE ESCENA EN ESPA\u00d1A, HOY. UNA ENCUESTA<\/span><\/div>\n
Una cala m\u00ednima en la direcci\u00f3n esc\u00e9nica: sobran mimbres, faltan teatros<\/span>Manuel F. Vieites<\/span><\/div>\n
Eduardo Alonso<\/span><\/div>\n
Tito Asorey<\/span><\/div>\n
Patricia Benedicto<\/span><\/div>\n
Jaroslaw Bielski<\/span><\/div>\n
Ernesto Caballero<\/span><\/div>\n
Tony Casla<\/span><\/div>\n
Mar\u00eda Caudevilla<\/span><\/div>\n
\u00c1nxeles Cu\u00f1a<\/span><\/div>\n
Josep Mar\u00eda Flotats<\/span><\/div>\n
Pere Fullana<\/span><\/div>\n
Ignacio Garc\u00eda<\/span><\/div>\n
Mar\u00eda Goiricelaya<\/span><\/div>\n
Mercedes Herrero<\/span><\/div>\n
Agust\u00edn Iglesias<\/span><\/div>\n
Ricardo Iniesta<\/span><\/div>\n
Beatriz Ja\u00e9n<\/span><\/div>\n
Carmen Losa<\/span><\/div>\n
Natalia Men\u00e9ndez<\/span><\/div>\n
Juan Luis Mira<\/span><\/div>\n
Eva del Palacio<\/span><\/div>\n
Helena Pimenta<\/span><\/div>\n
Carme Portaceli<\/span><\/div>\n
Juanma Romero G\u00e1rriz<\/span><\/div>\n
Santiago S\u00e1nchez<\/span><\/div>\n
Alfredo Sanzol<\/span><\/div>\n
Cristina D. Silveira<\/span><\/div>\n
Emilio del Valle<\/span><\/div>\n
Eduardo Vasco<\/span><\/div>\n
V\u00edctor Velasco<\/span><\/div>\n
Alfonso Zurro<\/span><\/div>\n
TEXTO TEATRAL<\/span><\/div>\n
La elegante firmeza de Mercedes Lezcano<\/span>Pedro V\u00edllora<\/span><\/div>\n
Mercedes Lezcano. Nota biogr\u00e1fica<\/span><\/div>\n
El dilema<\/span>Mercedes Lezcano<\/span><\/div>\n
NOTAS DE DIRECCI\u00d3N<\/span><\/div>\n
\u201cLa boh\u00e8me\u201d en mayo del 68, Pau Monterde.<\/span><\/div>\n
\u201cLa dama duende\u201d en Hungr\u00eda<\/span>Ignacio Garc\u00eda.<\/span><\/div>\n
\u201cGuerra\u201d, el teatro bajo las bombas<\/span>Eduardo Alonso.<\/span><\/div>\n
FESTIVALES \/ INTERNACIONAL<\/span><\/div>\n
FETEN 2025. Imparable y festivo<\/span>Roberto Corte.<\/span><\/div>\n
Festivales teatrales en Argentina o la resistencia cultural<\/span>Ana Seoane.<\/span><\/div>\n
Espiritual, visceral, visual: Shakespeare, como gust\u00e9is en Craiova, Ruman\u00eda, desde hace 30 a\u00f1os<\/span>Kalina Stefanova.<\/span><\/div>\n
Un ins\u00f3lito homenaje a Francisco Nieva<\/span>Urszula Aszyk.<\/span><\/div>\n
LIBROS<\/span><\/div>\n
NOTICIAS DE LA ADE<\/span><\/div>\n
NOTICIAS DE ASOCIADOS<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIALES Diguem NO!Manuel F. Vieites Censura y cancelaci\u00f3n: es igual, pero no es lo mismoAlberto Fern\u00e1ndez Torres La investigaci\u00f3n esc\u00e9nicaJos\u00e9 Gabriel L\u00f3pez Antu\u00f1ano La palabra del PapaJorge Urrutia. 38 PREMIOS ADE 38\u00aa edici\u00f3n de los Premios ADE. A veces, la memoria s\u00ed es lo que eraAlberto Fern\u00e1ndez Torres. Al recibir la Medalla de la ADELuis […]<\/p>\n","protected":false},"featured_media":20729,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[37],"product_tag":[175],"class_list":{"0":"post-20728","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-ade-teatro","7":"product_tag-ade-teatro","8":"pa_temporada-julio","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/20728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=20728"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/20729"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=20728"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=20728"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=20728"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=20728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}