{"id":20678,"date":"2026-03-06T07:59:09","date_gmt":"2026-03-06T07:59:09","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/bonart-internacional-%c2%b7-no-01-%c2%b7-2025"},"modified":"2026-03-19T11:24:40","modified_gmt":"2026-03-19T11:24:40","slug":"bonart-internacional-%c2%b7-no-01-%c2%b7-2025","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/bonart-internacional-%c2%b7-no-01-%c2%b7-2025\/","title":{"rendered":"Bonart Internacional \u00b7 n\u00ba 01 \u00b7 2025"},"content":{"rendered":"
EDITORIAL \/ Constelaciones de paz: Mir\u00f3, LATAM, Egipto y Vieira da Silva<\/span>Ricard Planas Camps<\/span><\/div>\n
MONOGR\u00c1FICO JOAN MIR\u00d3<\/span><\/div>\n
Un alma al desnudo<\/span>Rosa Maria Malet<\/span><\/div>\n
Del ADLAN al Espai 13<\/span>Martina Mill\u00e0<\/span><\/div>\n
Entrevista a Marko Daniel<\/span>Nora Barnach<\/span><\/div>\n
"Simplemente he mirado" Mont-Roig, el paisaje de Mir\u00f3<\/span>Elena Juncosa<\/span><\/div>\n
Los a\u00f1os de Mallroca. Brev\u00edsima cronolog\u00eda<\/span>Maria Antonia Perell\u00f3<\/span><\/div>\n
La indisciplina vive en su obra<\/span>Joan Maria Minguet<\/span><\/div>\n
Joan Mir\u00f3, pintor entre poetas<\/span>Juan Manuel Bonet<\/span><\/div>\n
OPINI\u00d3N<\/span><\/div>\n
Una visita a Gilbert & George<\/span>Albert Serra<\/span><\/div>\n
Magia e historia: resistencia en espiral<\/span>Imma Prieto<\/span><\/div>\n
N\u00e9stor reencontrado<\/span>Luis Antonio de Villena<\/span><\/div>\n
Sobre la pintura penosa<\/span>Fernando Castro Fl\u00f3rez<\/span><\/div>\n
Bienal de S\u00e3o Paulo 2025: de la humanidad como pr\u00e1ctica<\/span>Kekena Corval\u00e1n<\/span><\/div>\n
REPORT<\/span><\/div>\n
El r\u00edo como cuerpo, archivo y frontera<\/span>Aida Boix Grau<\/span><\/div>\n
Amazonia, chamanismo y arte contempor\u00e1neo<\/span>Jes\u00fas Mart\u00ednez Clar\u00e0<\/span><\/div>\n
Entrevista a Javier Hontoria<\/span>Rosa Guti\u00e9rrez Herranz<\/span><\/div>\n
La Fundaci\u00f3n MOP. Arte, fotograf\u00eda y moda con may\u00fasculas<\/span>Miguel Bertojo<\/span><\/div>\n
Las paradojas de la barra de hielo, el martillo y la inteligencia artificial<\/span>Alvaro Sobrino<\/span><\/div>\n
Redefiniendo el Cuadrante: c\u00f3mo \u00c1sia est\u00e1 reescribiendo las reglas del mundo del arte<\/span>Sonia Borrell<\/span><\/div>\n
WAAU: reescribir el mapa del arte desde el sur global<\/span>Bonart<\/span><\/div>\n
Grand Egyptian Museum (GEM)<\/span>Luis Manuel Gonz\u00e1lvez<\/span><\/div>\n
EXPOSICIONES<\/span><\/div>\n
Priscilla Monge vuelve al CGAC<\/span>Miguel Bertojo<\/span><\/div>\n
La mirada de Palmira Puig<\/span>S\u00edlvia Mu\u00f1oz d\u2019Imbert<\/span><\/div>\n
Bernard\u00ed Roig y las metamorfosis de la cabeza de Goya<\/span>Pilar Parcerisas<\/span><\/div>\n
Passatges: una apuesta por el evocador arte de Cristina Iglesias<\/span>Marga Viza i Boltas<\/span><\/div>\n
Trauma, conspiraci\u00f3n e inquietante extra\u00f1eza<\/span>Fernando Castro Fl\u00f3rez<\/span><\/div>\n
La memoria del cubismo contempor\u00e1neo<\/span>Carles Toribio<\/span><\/div>\n
Arte en los m\u00e1rgenes<\/span>Nora Barnach<\/span><\/div>\n
Interior Berlanga<\/span>T\u00e0nia Vendrell Canela<\/span><\/div>\n
Mapeando la est\u00e9tica liminar<\/span>Felip Gonz\u00e1lez<\/span><\/div>\n
El animal singular de Abigail Laoz<\/span>Rosa Guti\u00e9rrez Herranz<\/span><\/div>\n
La letra h como eje de exploraci\u00f3n<\/span>Carles Toribio<\/span><\/div>\n
Una manera de mirar<\/span>T\u00e0nia Vendrell Canela<\/span><\/div>\n
Anatom\u00eda del espacio<\/span>Beatriz Garc\u00eda Moreno<\/span><\/div>\n
Enredados a la Bot\u00edn<\/span>Rosa Guti\u00e9rrez Herranz<\/span><\/div>\n
Entrevista a Blanca de la Torre<\/span>Nora Barnach<\/span><\/div>\n
Entrevista a Jordi Mart\u00ed Grau<\/span>Ricard Planas Camps<\/span><\/div>\n
PORTUGAL<\/span><\/div>\n
Lisboa invisible: arte contempor\u00e1neo como infraestructura po\u00e9tica y pol\u00edtica<\/span>Ricard Planas Camps<\/span><\/div>\n
Maurizio Cattelan susurra e irrumpe<\/span>Bonart<\/span><\/div>\n
El legado de Burle Marx<\/span>Bonart<\/span><\/div>\n
M\u00c9XICO<\/span><\/div>\n
Eugenio L\u00f3pez y la Colecci\u00f3n Jumex<\/span>Luz Massot<\/span><\/div>\n
Neoliberalismo woke, Zona Maco y el mercado mexicano de las artes<\/span>Edgardo Bermejo<\/span><\/div>\n
\u00bfC\u00f3mo se escribe muerte al sur?<\/span>Luz Massot<\/span><\/div>\n
Entrevista a Xavier Marc\u00e9 Carol<\/span>Ricard Planas Camps<\/span><\/div>\n
COLOMBIA<\/span><\/div>\n
25 nuevos a\u00f1os del Festival de la Imagen de Manizales<\/span>Fernando Cuevas Ulitzsch<\/span><\/div>\n
Ensayar ser felices. Bienal Internacional de Arte y Ciudad BOG25<\/span>Fernando Cuevas Ulitzsch<\/span><\/div>\n
ARGENTINA<\/span><\/div>\n
C\u00f3rdoba Capital, territorio donde se gestan reformas, ideas y cambios<\/span>Mercedes L\u00f3pez Moreyra<\/span><\/div>\n
El Sur tambi\u00e9n existe. BIENALSUR 2025<\/span>Pancho Marchiaro<\/span><\/div>\n
MIAMI \/ La evoluci\u00f3n del arte contempor\u00e1neo en Miami<\/span>Luz Massot<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORIAL \/ Constelaciones de paz: Mir\u00f3, LATAM, Egipto y Vieira da SilvaRicard Planas Camps MONOGR\u00c1FICO JOAN MIR\u00d3 Un alma al desnudoRosa Maria Malet Del ADLAN al Espai 13Martina Mill\u00e0 Entrevista a Marko DanielNora Barnach "Simplemente he mirado" Mont-Roig, el paisaje de Mir\u00f3Elena Juncosa Los a\u00f1os de Mallroca. Brev\u00edsima cronolog\u00edaMaria Antonia Perell\u00f3 La indisciplina vive en […]<\/p>\n","protected":false},"featured_media":20679,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[33],"product_tag":[170],"class_list":{"0":"post-20678","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-bonart-internacional","7":"product_tag-bonart-internacional","9":"first","10":"instock","11":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/20678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=20678"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/20679"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=20678"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=20678"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=20678"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=20678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}