{"id":20524,"date":"2014-07-28T12:36:16","date_gmt":"2014-07-28T12:36:16","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/bonart-%c2%b7-no-166-%c2%b7-julio-agosto-%c2%b7-2014"},"modified":"2026-03-19T12:12:54","modified_gmt":"2026-03-19T12:12:54","slug":"bonart-%c2%b7-no-166-%c2%b7-julio-agosto-%c2%b7-2014","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/bonart-%c2%b7-no-166-%c2%b7-julio-agosto-%c2%b7-2014\/","title":{"rendered":"Bonart \u00b7 n\u00ba 166 \u00b7 Julio \/ Agosto \u00b7 2014"},"content":{"rendered":"
Vost\u00e8s tenen un problema, i es diu -1% \/ Ustedes tienen un problema, y se llama -1%<\/span>Ricard Planas i Camps<\/span><\/div>\n
Quan els apocal\u00edptics s\u00f3n integrats \/ Cuando los apocal\u00edpticos son integrados<\/span>David G. Torres<\/span><\/div>\n
Please\/Pay\/Attention\/Please \/ Please\/Pay\/Attention\/Please<\/span>Montse Badia<\/span><\/div>\n
M.A. Ravent\u00f3s: una traject\u00f2ria en ferm \/ M.A., Ravent\u00f3s: una trayectoria firme<\/span>Arnau Puig<\/span><\/div>\n
Zona de ning\u00fa \/ Zona de nadie<\/span>Vicen\u00e7 Altai\u00f3<\/span><\/div>\n
Monogr\u00e0fic Salvador Dal\u00ed \/ Monogr\u00e1fico Salvador Dal\u00ed Ricard Planas, Albert Serra, Joan M. Minguet Batllori, Pilar Parcerisas, Sebasti\u00e0 Roig, Luis Antonio de Villena, Josep Play\u00e0 Maset, Montse Aguer, Imma Merino, Giralt-Miracle, Arnau Puig, Merc\u00e8 Alsina, Enric Ansesa, Joan Gil, Albert Mercad\u00e9 i Marta Felip<\/span><\/div>\n
El teixits coptes del Museu de Montserrat \/ Los tejidos coptos del Museo de Montserrat<\/span>Bernat Puigdollers<\/span><\/div>\n
Llu\u00efsa Vidal, modernisme i feminisme \/ Llu\u00efsa Vidal, modernismo y feminismo<\/span>Llu\u00efsa Sala i Tubert<\/span><\/div>\n
Silenci: quina paraula m\u00e9s llarga! \/ Silencio: \u00a1Qu\u00e9 palabra m\u00e1s larga!<\/span>Albert Mercad\u00e9<\/span><\/div>\n
Mirades (cada vegada m\u00e9s prec\u00e0ries) al m\u00f3n \/ Miradas (cada vez m\u00e1s precarias) en el mundo<\/span>Aina Mercader<\/span><\/div>\n
Albert Serra, a la Biennal d\u2019Art de Ven\u00e8cia 2015 \/ Albert Serra, en la Biennal de Arte de Venecia 2015<\/span>Jaume F\u00e0brega<\/span><\/div>\n
Exposicions i Agenda de Catalunya, Catalunya Nord, Pa\u00eds Valenci\u00e0, Illes Balears, Arag\u00f3 i Andorra \/ Exposiciones y Agenda de Catalunya, Catalunya Norte, Pais Valenciano, Islas Baleares, Arag\u00f3n y Andorra<\/span><\/div>\n
Exposicions Europa & M\u00f3n \/ Exposiciones Europa & Mundo<\/span><\/div>\n
Biblioteca: Autoria, autentificaci\u00f3 i falsificacions \/ Autoria, autentificaci\u00f3n y falsificaciones<\/span>Anna Carreras<\/span><\/div>\n
Com exposar en una galeria (3) \/ Como exponer en una galeria (3)<\/span>Fidel Balaguer<\/span><\/div>\n
Art i dret: La import\u00e0ncia d\u2019un contacte escrit \/ La importancia de un contrato escrito<\/span>Maria Isabel Ni\u00f1o<\/span><\/div>\n
Mercat de l\u2019art: Art Basel 2014: una cita imprescindible \/ Art Basel 2014: una cita imprescindible<\/span>Joan Gil Gregorio<\/span><\/div>\n
La segona portada \/ La segunda portada<\/span>Pilar Boulllosa \u00c1lvarez<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Dal\u00ed: ous con pans<\/p>\n","protected":false},"featured_media":20525,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[32],"product_tag":[149],"class_list":{"0":"post-20524","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-bonart","7":"product_tag-bonart","8":"pa_temporada-julio-agosto","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/20524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=20524"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/20525"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=20524"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=20524"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=20524"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=20524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}