{"id":19986,"date":"2026-03-06T07:57:01","date_gmt":"2026-03-06T07:57:01","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/av-monografias-%c2%b7-no-113-%c2%b7-mayo-junio-%c2%b7-2005"},"modified":"2026-03-19T11:25:13","modified_gmt":"2026-03-19T11:25:13","slug":"av-monografias-%c2%b7-no-113-%c2%b7-mayo-junio-%c2%b7-2005","status":"publish","type":"product","link":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/av-monografias-%c2%b7-no-113-%c2%b7-mayo-junio-%c2%b7-2005\/","title":{"rendered":"AV Monograf\u00edas \u00b7 n\u00ba 113 \u00b7 Mayo-Junio \u00b7 2005"},"content":{"rendered":"
SPAIN BUILDS<\/span><\/div>\n
Cabrero & Aburto, Edificio Sindicatos, Madrid<\/span><\/div>\n
Mercadotecnia urbana y multicultural. Urban and Multicultural Marketing:<\/span><\/div>\n
Nouvel, torre Agbar, Barcelona; Herzog & de Meuron, edificio F\u00f3rum, Barcelona<\/span><\/div>\n
Signos en la anomia metropolitana. Signs in the Metropolitan Anomy:<\/span><\/div>\n
Rogers & Lamela, nueva terminal del aeropuerto de Barajas; Calatrava, Auditorio de Tenerife<\/span><\/div>\n
La internacionalizaci\u00f3n del los estudios .The Internationalization of Studios:<\/span><\/div>\n
FOA, Yokohama; Moneo, Catedral de Los \u00c1ngeles; Calatrava, Atenas; Miralles, Edimburgo<\/span><\/div>\n
Fran\u00e7ois Chaslin Bajo el signo de la globalizaci\u00f3n. In the Global Scene:<\/span><\/div>\n
Casas burguesas y barrios populares. Bourgeois Houses and Popular Neighborhoods :<\/span><\/div>\n
Coderch & Valls, casa Ugalde, Caldes d\u2019Estrac; Bonet, casa La Ricarda, El Prat de Llobregat;Coderch & Valls, viviendas en la Barceloneta; Bohigas & Martorell, viviendas en c\/ Pallars<\/span><\/div>\n
Los nuevos lenguajes de la iniciativa p\u00fablica. The New Languages of Public Promotion:<\/span><\/div>\n
Fern\u00e1ndez del Amo, poblado de Vegaviana; V. de Castro & \u00cd\u00f1iguez, poblado de Ca\u00f1o Roto;Sota, Gobierno Civil, Tarragona; Molez\u00fan & Corrales, Pabell\u00f3n de Bruselas<\/span><\/div>\n
El encargo religioso como experimento. The Religious Commission as an Experiment :<\/span><\/div>\n
Fisac, Arcas Reales, Valladolid; Fisac, La Coronaci\u00f3n, Vitoria; F. Alba, El Rollo, Salamanca;Garc\u00eda de Paredes, Iglesia de Almendrales, Madrid; Sota, Gimnasio Maravillas, Madrid<\/span><\/div>\n
T\u00e9cnica y bienestar para las clases medias. Technology and Well-Being for the Middle Class :<\/span><\/div>\n
Fisac, Centro Hidrogr\u00e1fico, Madrid; Higueras & Mir\u00f3, Centro de Restauraci\u00f3n, Madrid; S\u00e1enz de O\u00edza, Torres Blancas, Madrid; Fisac, Laboratorios Jorba, Madrid<\/span><\/div>\n
Paisajes resistentes y estancias so\u00f1adas. Enduring Landscapes and Oneiric Spaces :<\/span><\/div>\n
El gui\u00f3n de la historia. The Outline of the Story<\/span>Luis Fern\u00e1ndez-Galiano<\/span><\/div>\n
Z\u00f3bel & Barja, Casas Colgadas, Cuenca; Manrique, intervenciones en Lanzarote;Clotet & Tusquets, Belvedere Georgina, Llofriu; Bofill, Walden 7, Sant-Just Desvern<\/span><\/div>\n
Las d\u00e9cadas de Franco. The Franco Decades<\/span>Luis Fern\u00e1ndez-Galiano<\/span><\/div>\n
Seis lustros de democracia. Thirty Years of Democracy<\/span><\/div>\n
1975-1981 A\u00f1os de conflicto. Years of Conflict<\/span><\/div>\n
El poder econ\u00f3mico en la Transici\u00f3n. The Economic Power in the Transition:<\/span><\/div>\n
S\u00e1enz de O\u00edza, Banco de Bilbao, Madrid; Moneo & Besc\u00f3s, Bankinter, Madrid<\/span><\/div>\n
L\u00edmites, lenguajes e identidades perif\u00e9ricas. Boundaries, Languages and Peripheral Identities :<\/span><\/div>\n
Bofill, Marca Hisp\u00e1nica; Pe\u00f1a Ganchegui & Chillida, Peine de los Vientos<\/span><\/div>\n
La defensa del patrimonio ambiental. The Defense of Environmental Heritage:<\/span><\/div>\n
Ruiz Cabrero & Perea, COA Sevilla; Garc\u00eda de Paredes, Auditorio Manuel de Falla, Granada<\/span><\/div>\n
Un proyecto coral A Collective Project<\/span>Terence Riley<\/span><\/div>\n
La eclosi\u00f3n de la libertad social y formal. The Dawn of Social and Formal Freedom:<\/span><\/div>\n
Cruz & Ortiz, viv. en c\/ Mar\u00eda Coronel; Bay\u00f3n, Aroca, Bisquert & Mart\u00edn, viv. en c\/ Arturo Soria<\/span><\/div>\n
Figuraci\u00f3n etnogr\u00e1fica y paisaje regional. Ethnographic Representation and Regional Landscape:<\/span><\/div>\n
Portela & Campos, viv. para gitanos, Campano-Poio; Gallego, casa Gallego, Carballo<\/span><\/div>\n
El retorno a las viejas certidumbres. The Return of Old Certainties:<\/span><\/div>\n
Linazasoro & Garay, ikastola, y viv. Mendigorr\u00eda; \u00cd\u00f1iguez & Ust\u00e1rroz, Cordovilla Erreleku<\/span><\/div>\n
Alexander Tzonis & Liane Lefaivre. El tiempo de la Transici\u00f3n. Time of Transition<\/span><\/div>\n
1981-1986 A\u00f1os de esperanza. Years of Hope<\/span><\/div>\n
Democracia municipal y poder popular. Municipal Democracy and Popular Power:<\/span><\/div>\n
Moneo, Ayuntamiento de Logro\u00f1o; Cotelo & Puente, Ayuntamiento de Valdelaguna<\/span><\/div>\n
Los a\u00f1os de la dictadura. The Years of the Dictatorship<\/span><\/div>\n
La vanguardia en el terreno com\u00fan. The Avant-Garde in Common Grounds:<\/span><\/div>\n
Bach & Mora, Estaci\u00f3n de Bellaterra, Barcelona; Pi\u00f1\u00f3n & Viaplana, Plaza de Sants, Barcelona<\/span><\/div>\n
El futuro con formas del pasado. The Future with Forms from the Past:<\/span><\/div>\n
Bonell & Rius, Vel\u00f3dromo de Horta; Portela, Acuario en Villagarc\u00eda de Arosa<\/span><\/div>\n
Arqueolog\u00eda moderna y memoria. Modern Archaeology and Memory:<\/span><\/div>\n
Moneo, Museo Nacional de Arte Romano, M\u00e9rida; Garc\u00e9s & Soria, Museo Picasso, Barcelona<\/span><\/div>\n
La tradici\u00f3n en la hora funcional. Tradition in Functional Times:<\/span><\/div>\n
Linazasoro, reconstrucci\u00f3n de iglesia, Medina de Rioseco; Mateo, reurbanizaci\u00f3n de Ullastret<\/span><\/div>\n
El hedonismo liviano de la intimidad. The Light Hedonism of Privacy:<\/span><\/div>\n
Lape\u00f1a & Torres, casa Boenders; V. Consuegra, casa Rolando; Campo Baeza, casa Tur\u00e9gano<\/span><\/div>\n
1939-1975 Semillas del cambio. Seeds of Change<\/span><\/div>\n
Kenneth Frampton. Banderas al viento .The Flag Was in the Breeze<\/span><\/div>\n
1986-1992 A\u00f1os de abundancia. Years of Plenty<\/span><\/div>\n
Ciudadelas del dinero y templos asistenciales. Citadels of Wealth and Welfare Temples:<\/span><\/div>\n
Moneo, Previsi\u00f3n Espa\u00f1ola, Sevilla; Navarro Baldeweg, Puerta de Toledo, Madrid<\/span><\/div>\n
Las dotaciones sanitarias y culturales. Building for Health and Culture:<\/span><\/div>\n
Lape\u00f1a & Torres, hospital, Mora de Ebro; Cotelo & Puente, Biblioteca de Arag\u00f3n, Zaragoza<\/span><\/div>\n
La estetizaci\u00f3n del alojamiento de masas.The Enhancement of Collective Housing:<\/span><\/div>\n
S\u00e1enz de O\u00edza, viv. en la M-30, Madrid; V. Consuegra, viv. en c\/ Ram\u00f3n y Cajal, Sevilla<\/span><\/div>\n
Ingenier\u00eda de firma y topograf\u00eda de autor. Signature Engineering and Topography:<\/span><\/div>\n
Calatrava, puente Bach de Roda, Barcelona; Miralles & Pin\u00f3s, cementerio de Igualada<\/span><\/div>\n
Las formas del nacional-catolicismo The Forms of National-Catholicism:<\/span><\/div>\n
El gigantismo de la nueva prosperidad. The Gigantism of the New Prosperity:<\/span><\/div>\n
Bonell & Rius, P. Deportes, Badalona; Navarro Baldeweg, P. Congresos, Salamanca<\/span><\/div>\n
Una sociedad acelerada por tierra y aire. A Rushed Society by Ground and Air:<\/span><\/div>\n
Moneo, estaci\u00f3n de Atocha, Madrid; Cruz & Ortiz, estaci\u00f3n de Santa Justa, Sevilla<\/span><\/div>\n
Peter Buchanan Un florecimiento cultural A Cultural Flowering<\/span><\/div>\n
1992 -1996 A\u00f1os de mudanza. Years of Transit<\/span><\/div>\n
La internacionalizaci\u00f3n y los s\u00edmbolos del 92. Internationalization and the Symbols of 1992:<\/span><\/div>\n
Calatrava, puente del Alamillo, Sevilla; Foster, torre de Collserola, Barcelona<\/span><\/div>\n
La promoci\u00f3n p\u00fablica de la modernidad. The Public Promotion of Modernity :<\/span><\/div>\n
Moneo, Fundaci\u00f3n Mir\u00f3, Palma; Siza, Centro Gallego de Arte Contempor\u00e1neo, Santiago<\/span><\/div>\n
Guti\u00e9rrez Soto, Ministerio del Aire, Madrid<\/span><\/div>\n
El estadio del ocio y el consumo de signos. The State of Leisure and the Consumption of Signs:<\/span><\/div>\n
Meier, MACBA, Barcelona; Isozaki, Domus, La Coru\u00f1a; Gallego, Museo de BB AA, La Coru\u00f1a<\/span><\/div>\n
Continuidad y cambio en la ciudad trazada. Continuity and Change in the City Plan:<\/span><\/div>\n
Llin\u00e1s, viviendas en Ciutat Vella, Barcelona; Moneo & Sol\u00e0-Morales, La Illa Diagonal, Barcelona<\/span><\/div>\n
Accidentes est\u00e9ticos y estructurales. Aesthetic and Structural Accidents:<\/span><\/div>\n
Grassi & Portaceli, Teatro de Sagunto; Miralles & Pin\u00f3s, Palacio de los Deportes, Huesca<\/span><\/div>\n
El crep\u00fasculo del entusiasmo pol\u00edtico. The Twilight of Political Enthusiasm:<\/span><\/div>\n
Cruz & Ortiz, estadio de Atletismo, Madrid; Johnson & Burgee, torres KIO, Madrid<\/span><\/div>\n
Vittorio Magnago Lampugnani. De Sevilla a Barcelona. From Seville to Barcelona<\/span><\/div>\n
1996 -2001 A\u00f1os de fulgor. Years of Shine<\/span><\/div>\n
Moya,Universidad Laboral, Gij\u00f3n<\/span><\/div>\n
La arquitectura en la era del espect\u00e1culo. Architecture in the Age of Spectacle:<\/span><\/div>\n
Foster, metro de Bilbao; Gehry, Museo Guggenheim, Bilbao<\/span><\/div>\n
Revitalizaci\u00f3n urbana y abstracci\u00f3n. Urban Revitalization and Abstraction :<\/span><\/div>\n
Moneo, Kursaal, San Sebasti\u00e1n; Moneo, ampliaci\u00f3n del Ayuntamiento de Murcia<\/span><\/div>\n
Estructuras escult\u00f3ricas y poder medi\u00e1tico. Sculptural Structures and Media Power:<\/span><\/div>\n
Calatrava, Museo de las Ciencias, Valencia; AMP, Presidencia, Sta. Cruz de Tenerife<\/span><\/div>\n
Maximalismo y laconismo de la prosperidad. Maximalism and Laconicism of Prosperity:<\/span><\/div>\n
Mansilla & Tu\u00f1\u00f3n, Museo de Castell\u00f3n; Campo Baeza, Caja de Ahorros de Granada<\/span><\/div>\n
Patrimonio habitado y pasado tem\u00e1tico. Inhabited Heritage and Theme Past:<\/span><\/div>\n
Lape\u00f1a & Torres, escaleras de Toledo; Navarro Baldeweg, Museo de Altamira, Santillana del Mar<\/span><\/div>\n
Laorga, O\u00edza & Oteiza, Bas\u00edlica de Ar\u00e1nzazu<\/span><\/div>\n
Jardiner\u00eda recreativa y bot\u00e1nica pedag\u00f3gica. Recreational Landscaping and Pedagogical Botany:<\/span><\/div>\n
Miralles, parque de Mollet del Vall\u00e9s; Ferrater, Canosa & Figueras, Jard\u00edn Bot\u00e1nico, Barcelona<\/span><\/div>\n
David Cohn Cambio de turno The Changing of the Guard<\/span><\/div>\n
2001 -2005 Los a\u00f1os inciertos. Years of Uncertainty<\/span><\/div>\n
Nostalgia de lo natural y burbuja inmobiliaria. Nostalgia of Nature and Real-Estate Bubble:<\/span><\/div>\n
\u00c1balos & Herreros, pabell\u00f3n deportivo en El Retiro, Madrid; RCR, pista de atletismo, Olot<\/span><\/div>\n
Estrategias de continuidad ante la crisis. Strategies of Continuity before the Crisis:<\/span><\/div>\n
Nieto & Sobejano, Palacio de Congresos, M\u00e9rida; Mangado, Palacio de Congresos, Pamplona<\/span><\/div>\n
La percepci\u00f3n pixelizada, de lo virtual a lo f\u00edsico. Pixelated Perception, from Virtual to Material :<\/span><\/div>\n
Arroyo, estadio de f\u00fatbol y plaza en Baracaldo; Mansilla & Tu\u00f1\u00f3n, MUSAC, Le\u00f3n<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

SPAIN BUILDS. Arquitectura en Espa\u00f1a 1975-2005<\/p>\n","protected":false},"featured_media":19987,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[28],"product_tag":[132],"class_list":{"0":"post-19986","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-av-monografias","7":"product_tag-av-monografias","8":"pa_temporada-mayo-junio","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/19986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=19986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/19987"}],"wp:attachment":[{"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=19986"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=19986"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=19986"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=19986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}