{"id":26257,"date":"2026-03-05T08:32:27","date_gmt":"2026-03-05T08:32:27","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/insula-%c2%b7-no-736-%c2%b7-abril-%c2%b7-2008"},"modified":"2026-03-19T11:26:45","modified_gmt":"2026-03-19T11:26:45","slug":"insula-%c2%b7-no-736-%c2%b7-abril-%c2%b7-2008","status":"publish","type":"product","link":"http:\/\/formacionsimple.com\/revistasculturales\/producto\/insula-%c2%b7-no-736-%c2%b7-abril-%c2%b7-2008\/","title":{"rendered":"\u00cdnsula \u00b7 n\u00ba 736 \u00b7 Abril \u00b7 2008"},"content":{"rendered":"
Antonio Gamoneda. En la l\u00f3gica mortal<\/span>Jos\u00e9 Mar\u00eda Castrill\u00f3n y Jordi Doce<\/span><\/div>\n
\u00c9pica sensible. Un an\u00e1lisis de la influencia de Rimbaud y Perse en la poes\u00eda de Antonio Gamoneda<\/span>Eduardo Moga<\/span><\/div>\n
Una simetr\u00eda extra\u00f1a. Una lectura de \u201cCanci\u00f3n del solitario\u201d, mudanza de Trakl<\/span>Laurence Breysse-Chanet<\/span><\/div>\n
L\u00e1pidas, himnos, estaciones. El poema en prosa en Antonio Gamoneda, Geoffrey Hill y Seamos Heaney<\/span>Jordi Doce<\/span><\/div>\n
P\u00e1ginas iniciales y finales de Un armario lleno de sombra<\/span>Antonio Gamoneda<\/span><\/div>\n
Entrevista a Antonio Gamoneda. \u201cNo puedo prescindir del lenguaje po\u00e9tico para exponer la verdad\u201d<\/span>Elo\u00edsa Otero y Tom\u00e1s S\u00e1nchez Santiago<\/span><\/div>\n
\u00c9tica y est\u00e9tica de lo impuro en la obra de Antonio Gamoneda<\/span>Jos\u00e9 Mar\u00eda Castrill\u00f3n<\/span><\/div>\n
Antonio Gamoneda y la po\u00e9tica del subdesarrollo espa\u00f1ol<\/span>Fernando R. de la Flor<\/span><\/div>\n
Inestabilidad en la escritura de Antonio Gamoneda. A prop\u00f3sito de Sublevaci\u00f3n inm\u00f3vil y Blues castellano<\/span>Jos\u00e9 Manuel Trabado Cabado<\/span><\/div>\n
Armon\u00eda de s\u00edmbolos y l\u00edmites en el Libro del fr\u00edo de Antonio Gamoneda<\/span>Jos\u00e9 Antonio Exp\u00f3sito<\/span><\/div>\n
Arden las p\u00e9rdidas y el aprendizaje del olvido<\/span>Juan Jos\u00e9 Lanz<\/span><\/div>\n
Sombras de luz<\/span>T\u00faa Blesa<\/span><\/div>\n
Caballos. Peque\u00f1a refutaci\u00f3n al autor<\/span>Carmen Palomo<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

ANTONIO GAMONEDA. EN LA L\u00d3GICA MORTAL<\/p>\n","protected":false},"featured_media":26258,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[70],"product_tag":[301],"class_list":{"0":"post-26257","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-insula","7":"product_tag-insula","8":"pa_temporada-abril","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/26257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=26257"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/26258"}],"wp:attachment":[{"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=26257"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=26257"},{"taxonomy":"product_cat","embeddable":true,"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=26257"},{"taxonomy":"product_tag","embeddable":true,"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=26257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}