{"id":25893,"date":"2026-03-06T08:15:45","date_gmt":"2026-03-06T08:15:45","guid":{"rendered":"https:\/\/formacionsimple.com\/revistasculturales\/producto\/cuadernos-hispanoamericanos-%c2%b7-no-649-650-%c2%b7-julio-agosto-%c2%b7-2004"},"modified":"2026-03-19T11:20:28","modified_gmt":"2026-03-19T11:20:28","slug":"cuadernos-hispanoamericanos-%c2%b7-no-649-650-%c2%b7-julio-agosto-%c2%b7-2004","status":"publish","type":"product","link":"http:\/\/formacionsimple.com\/revistasculturales\/producto\/cuadernos-hispanoamericanos-%c2%b7-no-649-650-%c2%b7-julio-agosto-%c2%b7-2004\/","title":{"rendered":"Cuadernos Hispanoamericanos \u00b7 n\u00ba 649-650 \u00b7 julio-agosto \u00b7 2004"},"content":{"rendered":"
DOSSIER: ALEJO CARPENTIER (1904-1980)<\/span><\/div>\n
Carlos Esteban Deive y Alejo Carpentier<\/span>Rita de Maeseneer<\/span><\/div>\n
Parodiando a Don Alejo<\/span>Patrick Collard<\/span><\/div>\n
DOSSIER: SALVADOR DAL\u00cd (1904-1989)<\/span><\/div>\n
Dal\u00ed y la redenci\u00f3n de la pintura<\/span>Joan M. Minguet Batllori<\/span><\/div>\n
Relaciones entre el m\u00e9todo paranoico-cr\u00edtico y la ciencia moderna<\/span>Tonia Requejo<\/span><\/div>\n
El secreto creador de Dal\u00ed<\/span>Jes\u00fas L\u00e1zaro Docio<\/span><\/div>\n
Un pintor que escribi\u00f3<\/span>Blanca Bravo Cela<\/span><\/div>\n
PUNTOS DE VISTA<\/span><\/div>\n
E\u00e7a de Queir\u00f3z, c\u00f3nsul en la Habana<\/span>Raquel R. Aguilera y Javier Coca<\/span><\/div>\n
Correspondencia consular desde la Habana<\/span>Jos\u00e9 Mar\u00eda E\u00e7a de Queiroz<\/span><\/div>\n
Elogio de la raz\u00f3n<\/span>Augusto Klappenbach<\/span><\/div>\n
Lucha de capitales en Arte de Yasmina Reza<\/span>Rafael Garc\u00eda Alonso<\/span><\/div>\n
Carpentier me dijo<\/span>C\u00e9sar Leante<\/span><\/div>\n
Hacia una nueva Edad Media<\/span>Jorge Andrade<\/span><\/div>\n
Adorno revisitado<\/span>Blas Matamoro<\/span><\/div>\n
CALLEJERO<\/span><\/div>\n
Octavio y Marie-Jos\u00e9<\/span>Yves Bonnefoy<\/span><\/div>\n
Wittgenstein en Cort\u00e1zar y Elizondo<\/span>Pedro Gurrola<\/span><\/div>\n
\u00c1ngeles y demonios en el cine espa\u00f1ol de los cuarenta<\/span>\u00cdtalo Manzi<\/span><\/div>\n
Anecdotario de Eugenio D' Ors<\/span>Carlos D'Ors<\/span><\/div>\n
Nota sobre Gallimard y la literatura latinoamericana<\/span>Gustavo Guerrero<\/span><\/div>\n
Carta de Londres. Sobre la mirada del uno y del otro<\/span>Luis Pulido Ritter<\/span><\/div>\n
Carta de La Habana. La Maqueta de la ciudad<\/span>Antonio Jos\u00e9 Ponte<\/span><\/div>\n
El hombre real maravilloso<\/span>Jorge Timossi<\/span><\/div>\n
Carta de Colombia.La pasada Feria del Libro de Bogot\u00e1<\/span>Consuelo Trivi\u00f1o<\/span><\/div>\n
Carta de Alemania. \u00bfQui\u00e9n no le temer\u00eda a Karl Krauss?<\/span>Ricardo Bada<\/span><\/div>\n
Carta de Buenos Aires. El \u00faltimo tango<\/span>Ricardo Dessau<\/span><\/div>\n
Entrevista con Philippe Lejeuneq<\/span>Manuel Alberca<\/span><\/div>\n
BIBLIOTECA<\/span><\/div>\n
Am\u00e9rica en los libros<\/span>Agust\u00edn Seg\u00fai y Consuelo Trivi\u00f1o<\/span><\/div>\n
Los libros en Europa Diego Mart\u00ednez Torr\u00f3n, Osvaldo Gallone, Guillermo Urbizu, Javier Franz\u00e9 y Leonor Fleming<\/span><\/div>\n
El fondo de la maleta: La droga sonora<\/span><\/div>\n
Alejo Carpentier, el conversador y el novelista<\/span>Marta Rojas<\/span><\/div>\n
Carpentier y el surrealismo<\/span>Leonardo Padura Fuentes<\/span><\/div>\n
El novelista y las artes visuales<\/span>Graziella Pogolotti<\/span><\/div>\n
Historia y mitologismo en El reino de este mundo<\/span>Irlemar Chiampi<\/span><\/div>\n
Viaje y visi\u00f3n del ser en "Los pasos perdidos"<\/span>Germ\u00e1n Gaviria \u00c1lvarez<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

DOSSIER: ALEJO CARPENTIER (1904-1980) Carlos Esteban Deive y Alejo CarpentierRita de Maeseneer Parodiando a Don AlejoPatrick Collard DOSSIER: SALVADOR DAL\u00cd (1904-1989) Dal\u00ed y la redenci\u00f3n de la pinturaJoan M. Minguet Batllori Relaciones entre el m\u00e9todo paranoico-cr\u00edtico y la ciencia modernaTonia Requejo El secreto creador de Dal\u00edJes\u00fas L\u00e1zaro Docio Un pintor que escribi\u00f3Blanca Bravo Cela PUNTOS […]<\/p>\n","protected":false},"featured_media":25894,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[69],"product_tag":[298],"class_list":{"0":"post-25893","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-cuadernos-hispanoamericanos","7":"product_tag-cuadernos-hispanoamericanos","8":"pa_temporada-julio-agosto","10":"first","11":"instock","12":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product\/25893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product"}],"about":[{"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/comments?post=25893"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media\/25894"}],"wp:attachment":[{"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/media?parent=25893"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_brand?post=25893"},{"taxonomy":"product_cat","embeddable":true,"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_cat?post=25893"},{"taxonomy":"product_tag","embeddable":true,"href":"http:\/\/formacionsimple.com\/revistasculturales\/wp-json\/wp\/v2\/product_tag?post=25893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}